#buyers of gold in new york
Explore tagged Tumblr posts
Text
How to Safely Sell Silver Bars and Avoid Scams
Selling silver bars can be a great way to make money or liquidate an asset. However, the process can be risky if you’re not careful. Scams are common in the precious metal market, and it’s crucial to be aware of how to safely sell your silver bars in NYC. This guide will explain how to sell your silver bars safely and avoid common scams, ensuring that you get a fair price.
Visit- https://buyersofnyc.com/buy-sell-silver-bars/
0 notes
Text
Sell Gold Bar NYC
Convert your gold bar into instant cash with Buyers of NYC. Trusted gold buyers in NYC offer transparent and competitive prices for your precious metal assets. Whether a single gold bar or a collection, their experienced team ensures a smooth and secure selling process.
0 notes
Text
Vintage and Antique Jewelry Buyers in NY | D & J Antique Buyers
We’re Antique Jewelry Buyers Near MeAt D & J Antique Buyers! We assess the value of your antique jewelry, and make you an offer, and have cash in your account in 24 hours or as soon as possible. Our team of experts will guide you through the process and provide you with a price based on the international market for your items. Do you have a piece of antique jewelry or a collection you would like to sell, we’re just one call away to offer you cash. https://antiqueestatebuyers.com/antique-jewelry/
#Antique Jewelry Buyers in NY#vintage antique buyers#vintage jewelry buyer#Antique Jewelry Buyers Great Neck NY#antique jewelry buyers New York#vintage jewelry buyer ny#Antique gold Buyers NY#Antique Silver Buyers ny#Diamond buyers in NY
0 notes
Text
Cool Fiancè
Notes: 18+ sex mentioned
Special shout-out to @ab4eva and her fabulous editing skills! This is the second installment in my cool girl saga. Read Part 1 here
---
Five Things to know about Austin Butler’s New Fiance ::
Although his reps couldn't be reached for comment, sources close to the Elvis actor confirm he has popped the question to his mysterious lady love!
Butler and the stunning brunette were recently spotted at the iconic Les Puces market in Paris last Friday, and she seemed to be sporting a new accessory. Austin was dressed in a black leather jacket, a white v neck tee, and black moto boots. She was clad in a classic trench coat and vintage Dior kitten heels as she kept her head down and let the winner lead the way. His face was mostly obscured by aviator sunglasses, but his smile was very apparent according to onlookers. “Austin was holding her hand and pointing out jewelry at different booths. They were very friendly with local vendors and Austin ended up buying her a gold charm bracelet. He told the dealer the bracelet was a momento to celebrate their recent engagement,” a fellow American tourist overheard. The twosome reportedly spent the prior week soaking in the city of lights and meeting with the YSL fashion house. Austin was recently tapped as the brand's newest ambassador.
Since returning stateside paparazzi pics have finally surfaced and revealed a closer look at that ring. Montana based indie jeweler Jada Kaye has been revealed as the designer of that serious sparkler. The 5 carat, flawless emerald-cut emerald is set in solid gold and flanked by two white diamonds on either side. Inside sources told Elle Magazine that Kaye and Butler worked closely together to craft the one of a kind creation. There's even rumored to be an inscription on the inside that's significant to the couple and the ring is estimated to cost a cool $100,000. Austin's fiancè was photographed heading into a ballet studio yesterday wearing pink tights, a pink leotard, Ugg boots, and of course that ring. Her curly dark brown hair was slicked back into a bun and she seemed to be sporting a pair of the actor's sunglasses.
Here's everything you need to know about the future Mrs. Austin Butler;
She's from New England —
A, as she's known, was born in Rhode Island. She grew up splitting her time between Rhode Island and Kennebunkport, Maine. Her teenage years were spent working the local Del’s lemonade truck, former neighbors say. She attended the Rhode Island School of Design after high school but never graduated.
She and Austin met via her former job –
Whilst working at the New York location of Vibrant Vintage, A, served as the fashion archives buyer. She also happened to be on hand when Butler visited the store. Supposedly she helped him find the perfect pair of leather boots, and the rest is history. Things clearly moved quickly between the two lovebirds, with A relocating to Los Angeles not long after. According to Vibrant Vintage, she is no longer employed there but “remains a close friend and consultant,” says their PR team.
She's a hit with his friends –
She organized a birthday party for her man’s co-star and close friend, Callum Turner. Turner posted an Instagram story showing off a fairly large garden party celebration and a “homemade blueberry glaze cake” according to the post. “Huge thanks to Austin's lovely lady xx” accompanied the video footage. She and Austin were also seen dining with his other Masters of the Air co-star, Nate Mann, while in Paris recently.
They've (supposedly ) got matching ink –
An unnamed employee at the iconic Bang Bang tattoo in NYC has said that Austin and A made a late night visit to the tattoo studio. Where exactly are the said-to-be matching minimalistic tattoos? Reportedly, Austin was inked on his left hip and A on her inner left thigh.
Old fashioned love letters are her thing -
Notably social media shy, Austin and A have taken up the lost art of handwritten love notes. Sources exclusively say that custom monogrammed stationery was crafted for the duo whilst Austin was filming in England. The hand pressed, vintage inspired paper bears a unique coat of arms style symbol with intertwining letter A’s and two sparrows (Fun fact! Sparrows mate for life and always find their way back, no matter how far they fly). While separated, the couple often writes letters to one another, even having the letters sent via jet instead of mail for privacy reasons!
_______
Suddenly one morning articles begin to pour in about your engagement. It catches you off guard, that ring akin to a skating rink has been sitting pretty on your hand for a bit now. The engagement had happened so naturally as everything with the two of you seems to. In the early morning hours while his swollen, rock hard member thrusts into you repeatedly you begin to awaken. On your side, his teeth clamp down on your shoulder as his finger twirls round the curls at the nape of your neck.
His gasps and needy groans tickle your ear. “Couldn't help myself..”, he shudders as you suddenly clamp down around him, barely able to register it all. You stretch and arch, allowing him the room and space to take what he needs. It is his after all. His teeth and pillowy soft lips mark your shoulder blades and when you reach down to where the two of you are joined, you feel his very full balls. Your newly manicured fingers tease and tug the best you can, scrunched up like some sort of acrobat. “Ugh, ugh…baby… you're gonna make me -”. Then he does. Hot, viscous, cream floods you and makes you sigh in a contented whimper. “Thanks darlin’,” he pets your head and you close your eyes dreamily. That is until you hear him rustling around in the bedside table next to him.
You cock open an eye, figuring he's looking for smokes or even the book he had been reading late last night. Your hands are stretched above your head, gripping a pillow. The perfect position for him to suddenly slip the most gorgeous piece of jewelry you've ever seen onto your finger. When your eyes shoot open and you jump up, he's lying there grinning that smile that makes you weak at the knees. “Will you be my wife?” As if your answer would be anything but yes, please Daddy. You smother him in kisses, straddling him and giggling. It's the perfect moment, the perfect proposal. You were never one to want a fireworks display or heaven forbid, those ridiculous and wasteful walls of flowers other celebrities seem to have for every occasion. This private, simple moment is everything you could ask for.
You feel the sudden urge to take him in your mouth despite him just finishing. With your head hanging off the side of the bed, you take him down your throat. Choking and gagging, you really give it your all. Fighting to keep your eyes open so you can see the way his lip curls and his eyes slam shut. Talking is always your thing. This time, though, he's sputtering and rasping words of utter devotion and love. Promises to worship your body until the day he dies. My perfect, perfect wife. Soon you can't be sure if the tears are from his cock down your throat, or his beautiful words. Maybe both. Those pretty boy fingers twist and tug on your nipples and then crawl lower and flick that special spot. The only fireworks you enjoy happen, twice for you actually. He's so dutiful and charming, when you're done pulling yourself back together and fixing your hair, he's handing you a surprise glass of champagne. What a way to mark the occasion.
You decline a proper press announcement. Phone and FaceTime calls follow to those who truly matter to you both - your families, both absolutely thrilled. Then Baz, Cal, The Presley's, everyone can't stop gushing about how perfect you are for each other. That ring, oh how sweet he designed it himself. You come up with a family-appropriate story to describe the proposal and the evening that followed, conveniently leaving out the mind-blowing sex the two of you have all over the house and in the hot tub. Why do things feel so different now that you're engaged? You can't get over the way the light hits the ring as you stroke him and something in that dirty girl heart of yours feels like it's really, truly, official when you have to clean his cum off the stone.
He's due back to set for some reshoots a few days later and of course you follow. Bringing throw pillows from your living room to spruce up his trailer and plotting out how to plan the most private, under the radar wedding possible while you lounge in his trailer in a cute little dress you sew yourself from vintage scarves bought in London. Your newest hobby, that and the ballet classes. He yammers on and on about wanting to sneak in and see you dance. You're sure it's just the tights and leotards spurring his interest though, let's be real. The paparazzi are as relentless as ever, but head down with big sunglasses helps keep the chaos at bay.
You visit Disney World, a whole crew, the two of you, your families, friends with their little ones. Thankfully Disney security is familiar with celebrity guests and you can actually let your guard down for once. Which is good, because seeing Austin chase after your friend's newly toddling little ones makes your stomach flip flop with joy. You make a mental note to expedite the wedding plans, he makes it known that he's chomping at the bit to be a father. When you visit Main Street, you decide a pair of new Mickey ears are in order. Gold stitching with Mrs. Butler is what you finally decide on after Austin's encouragement, his hand on your lower back as you walk miles and miles around the park with hands full of churros and cotton candy. Sure, some overzealous fans snap cell phone pics of you with your ears and immediately post them to those ridiculous Austin fan blogs who've now decided you are the evil villain in his story. You won't allow them to burst your Disney bubble though. Your fairytale is just beginning after all.
__
#ashley finally writes#Cool Girl#Cool Fiance#austin butler#austin x reader#austin butler au#austin butler imagine#elvis presley#austin elvis imagine#austin elvis x reader#lana del ray aesthetic#cool girl#Priscilla#elvis x reader#austin butler fic#austin butler smut#elvis smut
305 notes
·
View notes
Text
X-Men 2 fans: First Look at Nightcrawler and Stryker as brothers in Glenrothan
Brian Cox‘s feature directorial debut “Glenrothan” — billed as his “love letter to Scotland” — has wrapped production, with a first look revealed showing the “Succession” star alongside Alan Cumming in a room full of whisky barrels.
Alongside revealing a first look from the feature, Protagonist Pictures has come aboard for worldwide sales and is set to screen exclusive footage for buyers at the upcoming American Film Market.
Lionsgate, which co-developed the project with London based studio Nevision, has taken U.K. rights on the family drama, which shot in Scotland.
In “Glenrothan,” Donal (Cumming) reluctantly returns to the Scottish Highlands after 35 years in Chicago to make amends with his estranged older brother, Sandy (Cox). Sandy needs Donal to take over the family’s whisky distillery or he will be forced to sell and give up on the family’s legacy. But their reunion forces the brothers to confront the past and the real reason Donal left Glenrothan. Shirley Henderson (“Harry Potter and the Goblet of Fire,” “See How They Run”) and Alexandra Shipp (“Barbie,” “Anyone But You”) also star in the film.
“Glenrothan” is produced by Cox, Neil Zeiger, Crystine Zhang (“Prisoner’s Daughter,” “Lee”), Phin Glynn (“Argentina 1985,” “Kill The Jockey”), Nic Crum (“Book of Love”), James Cabourne and Vladimir Zemtsov (“Club Zero”). The film is co-produced by Nevision and Blazing Griffin Pictures in association with Screen Scotland, Oval-5, Gold Rush Pictures, Head Gear, Infinity Hill and Lionsgate.
“’Glenrothan’ is a poignant, funny and powerful story about the universal themes of family and heritage, set against the stunning backdrops of Scotland and steeped in the world of whisky,” said Protagonist CEO Dave Bishop. “Brian is an undeniable talent, both behind and in front of the camera, and is joined by the exceptional Alan Cumming — as such we are delighted to introduce buyers to this special film when we debut exclusive footage at the upcoming AFM.”
Neil Zeiger, lead producer added: “I have thoroughly enjoyed helping bring ‘Glenrothan,’ Brian’s ‘love letter to Scotland’, to the screen. Working with our incredible cast led by Alan, Shirley and Alexandra, Brian directed the film brilliantly. A universal story, wonderful performances and stunning images define the film. I am confident Glenrothan will compel and captivate audiences wherever in the world they are.”
Protagonist’s current slate includes the Venice, TIFF and San Sebastian selection “Kill the Jockey,” directed by Luis Ortega and recently selected as Argentina’s feature film contender for the 2025 Academy Awards; Samir Oliveros’ TIFF title, “The Luckiest Man in America,” starring Emmy and Golden Globe winner Paul Walter Hauser; the genre-bending comedy “Sister Midnight,” which recently screened at the London Film Festival and was nominated for Cannes’ Camera D’Or; and from directors Guy Maddin, Evan Johnson, and Galen Johnson, the political horror-comedy “Rumours,” which debuted at Cannes before going on to screen at Toronto, San Sebastian, New York and London Film Festivals.
11 notes
·
View notes
Text
💖 New! 💖 Ribbon Heart Earrings are now available 🎀
18k Gold plated stainless steel earring hooks, gold tone heart charm, and a handmade ribbon bow- in 11 colors to choose from! Pick your favorite colors to match any outfit 💖
11 notes
·
View notes
Note
NY hc’s? 👁️👁️
*🩴*
HOME STATE WOO
Birthday: Unknown date in 1624 (Uses July 26 as birthday). Formation of New Amsterdam. 400 years old (as of 2024).
Parent: The Dutch Colonial Empire
Human name: Killian Lieven
Human age: approx 28 yrs old
Sexuality: Bisexual
Gender: Demi-boy (he/they)
Description: 5'1. Left eye is blue with gold flakes. Right eye is gold with blue flakes. Slightly curly long hair. Hair is dark reddish brown with hints of lighter brown. Has a few white streaks and white patches in hair caused by poliosis circumscripta. Medium brown (olive) skin patched with white caused by vitiligo. Freckles shaped like mini suns.
Languages: Collects them like pokemon (no official language or recognized language so speaks any spoken in state) Scars/deformities/disorders: Autism. Trouble breathing and shortness of breath. Large scars and burn marks on back caused by the burning of New York City during the American Revolution and wings being removed by the British Empire during British takeover and Martial Law placed on NYC. Amputated left leg caused by machine accident in gilded age. Fingers missing from right hand caused by The Great Blizzard of 1888. Scar on cheek and lip from prohibition/mafia era. Large scar going from top of eyebrow, down to under chin causing right eye to be blind from 9/11. Other minor scars from other incidents
Animal/Unusual attributes: Beaver and Bald eagle features. Beaver tail and webbed foot. Bald eagle feathers on cheek and tail feathers over beaver tail. Used to have bald eagle wings. Sun-like freckles that glow in a golden color due to the flag having a sun on it and the old New York flag being a yellowish color.
Silly facts: Loves to make clothing and just sewing in general (stuffed animals galore). Does graffiti art and sells work to buyers. Has 2 pigeons named Leven (Life in Dutch) and Ziel (Soul). Plays violin and viola. Fucking loves oysters (fun fact: Was called the Big Oyster before the Big Apple because there were huge oysters and oyster beds. People loved them so much oyster shells would pile up everywhere and would be used to make roads). Chef 100 and baker. (DID YOU KNOW THAT THE DUTCH WERE THE FIRST TO INTRODUCE COOKIES TO THE OTHER COLONIES??!?! THAT'S WHY THE DUTCH WORD FOR COOKIE IS ‘Koekje’. SO FUCK CALLING THEM BISCUITS.)
Home state :] I've checked out History of New York Year by Year too many times
#wttt#welcome to the table#welcome to the statehouse#wttsh#ben brainard#wttt new york#wttsh new york#manchineel rambles
17 notes
·
View notes
Text
Attorney Mark Gold has an oriental rug in his western Massachusetts home that most people call “nice-looking” until he tells them to inspect it more closely. Then they’re enthralled, because this is no run-of-the-mill textile—it’s what is called an Afghan war rug, and what it depicts is somber and stunning: cleverly mixed with age-old botanical and geometric designs are tanks, hand grenades and helicopters. “It’s a beautiful piece in its own right,” says Gold, “but I also think telling a cultural story in that traditional medium is fascinating.”
The cultural story Gold’s rug tells is only the beginning. Since the Soviet invasion of Afghanistan in 1979, the country’s war rugs have featured not only images of the instruments of war, but also maps detailing the Soviet defeat and, more recently, depictions of the World Trade Center attacks.
It was women from Afghanistan’s Baluchi culture who, soon after the arrival of the Soviets, began to weave the violence they encountered in their daily lives into sturdy, knotted pile wool rugs that had previously featured peaceful, ordinary symbols, such as flowers and birds. The first of these rugs were much like Gold’s, in that the aggressive imagery was rather hidden. In those early years, brokers and merchants refused to buy war rugs with overt designs for fear they would put off buyers. But with time and with the rugs’ increasing popularity, the images became so prominent that one can even distinguish particular guns, such as AK-47s, Kalashnikov rifles, and automatic pistols.
A decade later, the Soviets withdrew from Afghanistan, and rugs celebrating their exodus appeared. Typical imagery includes a large map with Soviet tanks leaving from the north. These rugs, principally woven by women of the Turkman culture, often include red or yellow hues and are peppered with large weapons, military vehicles and English phrases such as “Hand Bom [Bomb],” “Rooket [Rocket]” and “Made in Afghanistan.”
To many, this script is a firm indication of the rugs’ intended audience: Westerners, and in particular, Americans, who funded the Afghan resistance—the Mujahadeen—during the Soviet occupation. “The rugs are geared for a tourist market,” says Margaret Mills, a folklorist at Ohio State University who has conducted research in Afghanistan since 1974. “And they verbally address this market.” Sediq Omar, a rug merchant from Herat who dealt in war rugs during and after the Soviet occupation, agrees. “Afghanis don’t want to buy these,” he says. “They’re expensive for them. It’s the Westerners who are interested.”
While this may be true, it’s likely that the first “hidden” war rugs from the early 1980s were meant for fellow Afghanis, according to Hanifa Tokhi, an Afghan immigrant who fled Kabul after the Soviet invasion and now lives in northern California. “Later on, they made it commercialized when they found out that people were interested,” she says. “But at the beginning, it was to show their hatred of the invasion. I know the Afghan people, and this was their way to fight.”
Kevin Sudeith, a New York City artist, sells war rugs online and in local flea markets for prices ranging from $60 to $25,000. He includes the World Trade Center rugs in his market displays, and finds that many passersby are disturbed by them and read them as a glorification of the event. “Plus, New Yorkers have had our share of 9/11 stuff,” he says. “We all don’t need to be reminded of it.” Gold, a state away in Massachusetts, concurs. “I appreciate their storytelling aspect,” he says. “But I’m not there yet. It’s not something I’d want to put out.”
Yet others find World Trade Center rugs collectable. According to Omar, American servicemen and women frequently buy them in Afghanistan, and Afghani rug traders even get special permits to sell them at military bases. Some New Yorkers find them fit for display, too. “You might think it’s a ghoulish thing to own, but I look upon it in a different way,” says Barbara Jakobson, a trustee at Manhattan’s Museum of Modern Art and a longtime art collector. “It’s a kind of history painting. Battles have always been depicted in art.” Jakobson placed hers in a small hallway in her brownstone.
In an intriguing twist, it turns out the World Trade Center rugs portray imagery taken from U.S. propaganda leaflets dropped from the air by the thousands to explain to Afghanis the reason for the 2001 American invasion. “They saw these,” says Jakobson, “and they were extremely adept at translating them into new forms.” And Nigel Lendon, one of the leading scholars on Afghan war rugs, noted in a recent exhibition catalog that war rug depictions—both from the Soviet and post-9/11 era—can be “understood as a mirror of the West’s own representations of itself.”
If Afghanis are showing how Americans view themselves via World Trade Center war rugs, Americans also project their views of Afghan culture onto these textiles. In particular, the idea of the oppressed Muslim woman comes up again and again when Americans are asked to consider the rugs. “Women in that part of the world have a limited ability to speak out,” says Barry O’Connell, a Washington D.C.-based oriental rug enthusiast. “These rugs may be their only chance to gain a voice in their adult life.” Columbia University anthropology professor Lila Abu-Lughod takes issue with this view in a post-9/11 article “Do Muslim Women Really Need Saving?” She notes the importance of challenging such generalizations, which she sees as “reinforcing a sense of superiority in Westerners.”
Whether in agreement with Abu-Lughod or O’Connell, most conclude that the women who weave Afghan war rugs have a tough job. “It’s very hard work,” says Omar. “Weavers experience loss of eyesight and back pain—and it’s the dealers who get the money.”
But as long as there’s a market, war rugs will continue to be produced. And in the U.S., this compelling textile certainly has its fans. “These rugs continue to amaze me,” says dealer Sudeith. When I get a beautiful one, I get a lot of pleasure out of it.” And Gold, who owns five war rugs in addition to the hidden one he points out to visitors, simply says, “They’re on our floors. And we appreciate them underfoot.”
Mimi Kirk is an editor and writer in Washington, D.C. {read]
#smithsonian#article#USSR#propaganda#war#russian imperialism#us imperialism#imperialism#rugs#art#craft#21st century#20th century#Afghanistan
5 notes
·
View notes
Text
Part Two + Epilogue
A/N: this is an approximation of what I envisioned reader wearing the night of the premiere. the monologues come from the works of elena jacobs and lemony snicket.
▲ Series Masterlist | Previous | Part 1 | that's all folks!
▲ AO3 Link
▲ Taglist Form
NOVEMBER
Snow had come hesitantly to the city. Sprinkling down and melting against the black tar like salt in soup, the weather seemed unable to make up its mind. That nasty wind would flush down narrow alleyways, snagging up unsuspecting hats and everything not firmly held down, bringing with it that biting cold. This late in the season, the gorgeous bloom of golds and reds fluttering in trees was gone, torn down by that spiteful wind. The gnarled, brown bodies of leaves littered the streets, drain pipes swallowing them down when that first drift of snow melted into gray water. New York was fighting an oncoming winter, sinking its heels in and rejecting the inevitable. Everyone else just wished it would pick a side.
You know you’re not, not really, but sometimes you feel it: old. At thirty-two, things tend to crack a little louder than they used to. Hangovers lasted two days, not two hours, and how you used to live your life with only hours of sleep for weeks at a time completely baffles you. Sure, it was probably a lot of coke, but god, these hours are going to kill you.
Production for Andrew’s play is in full swing. Some days you never leave the back side of the curtain, too entrenched in building, then painting the forty-two foot moveable walls. Between you and the rest of the tech crew, you had managed to solve the weight problem: because of its light-weight nature, the walls had a tendency to fall forward or back, basically the opposite direction of where they were pushed. But late last Thursday, with a few bolts from a nail gun, a couple of thick screws, and several PVC pipes, the walls stabilized. A collective, exhausted cheer went up, some moved to tears after hours of frustration. After that the crew went home . . . and you went to open the gallery.
Marie helps as much as she can. Opening early when you can’t and closing late when you have passed out in your office chair. But as financial manager and co-owner, she has her own responsibilities. Hands to shake and meetings with potential buyers and artists. She’s taken over much of the front-facing work associated with running a gallery, as you had both agreed when you agreed you’d handle Andrew’s project, but there’s still so much to do. Opening night looms large in your mind and you are simultaneously excited and horrified. Once it's over, you plan on sleeping for two weeks straight.
There are some bright spots, though. Your crew is a bunch of college kids from NYU interning, but they teach you about the world of TikTok outside of being the marketing arm for the gallery and whatever the fuck flossing is. You overheard one of them call Dieter, “girl dinner” and you absolutely knew better than to ask what that meant. They’re funny and curious and love to learn. Gives you hope for this goddamn world.
And then, there’s the opportunities you get to see bits of the show before anyone else. When rehearsals are on, the building stops, quiets for a few minutes. Like ants, the stagehands scurry out into the seats, relieved to have nothing to do for a bit, and eager to see where all their hard work is going.
You find your place at the far back of the house, out of the lights of the stage, and you watch him. And he’s good. He’s so fucking good it makes your heart twist in your chest. The rest of the cast is great in their own right, but your eyes remain glued to him and him alone. His performance is magnetic. You feel it in your bones. You could watch him on a stage for the rest of your life. You don’t miss acting, but you do miss having him as a scene partner.
For what it’s worth, he never looks at Emily longer than he has to.
You twist your wrist, growling at the pain, the muscle in your forearm cramping like it always did when you overworked yourself painting. With the walls built, that left only the actual artwork to be done and if your team were master carpenters, master artists they were not. You set them to work painting the base layer, but it was on you to bring those designs Andrew approved to life.
You are sweaty, hungry, and every time you move, something else hurts. By your watch, it’s close to seven and Andrew usually lets the cast go home around seven thirty. You’re a more benevolent overlord; you let your team go around seven fifteen.
But at seven on the dot, the black curtain moves back and several members of the cast head towards the back door, animatedly chatting amongst themselves. Like wildfire, some gossip spreads from the cast to the crew, eyes lighting up and suddenly reinvigorated.
“What are they talking about?” You ask Liam, one of the stagehands, who shrugs.
“No idea, but –,”
“Andrew is giving us the weekend off!” Sarah in her too big overalls comes bounding over, practically vibrating. “He’s hosting a party at Shandy’s.”
Shandy’s is actually three different venues built into one like legos. In the center was an open air stage. If live music wasn’t playing, then the latest sports game played on the high definition screen. On the right was a bar, aptly in the style of an old tiki lounge. And on the left, was a low-maintenance seafood bar and grill: fish and chips, fried oysters, and hush puppies. It sounded fun but you never much had the inclination to go sniffing your nose around temptation.
“You’re coming, right, Natalie?” Sarah asks excitedly. But the idea that you have a second of free time to yourself, much less to spend it with drunk people, is laughable.
“Oh, I don’t think so, Sarah. There’s gallery stuff – Marie hasn’t had a break in weeks and –,”
“You hear the good news?” Dieter’s delighted tone splits apart your little trio and he comes loping over with a grin on his face. “We’ve got the weekend off.”
“Hell yeah!” Liam pumps his fist. “But Natalie here doesn’t wanna come to the party at Shandy’s.”
Dieter’s face falls. “Why not?”
You frown, not feeling like you need to explain yourself to a bunch of college students, or Dieter himself for that matter. You stand up, mindful of the tension in your lower back, and wipe the paint on your hands on your overalls. After working with you for several weeks, Sarah’s bright enough to pick up on your irritation simmering low.
She eyes him as she steps forward. “We’re gonna head out for the night, if that’s okay?”
You nod at the both of them, your mouth still twisted into a frown.
“I have a job outside of this,” you huff at Dieter, as the kids scurry away. “A busy full time job and I just can’t –,”
“What if I pick you up?” Dieter asks. How, after all these years, could he still make you feel like you are the only person in the room? “Andrew’s also doing a bunch of events for the out-of-towners, and the last stop before dinner is a bar. Which I’d like to avoid for obvious reasons. So lemme meet you at the gallery and take you to the dinner.” He smiles relaxed.
“I just don’t know, Dieter.”
“Bring Marie,” he says simply. “You both have earned a night off. I’ll pick you both up and take you back after dinner. I’ll help you mail invoices, if you’d like.”
Knowing exactly what his ADHD does to his brain with numbers, you shake your head, giving up the ghost and grinning. “That’s really not necessary, but, um, I’ll think about it. Lemme talk to Marie and see what she thinks.”
He nods, watching as the backstage empties out. Less people, less noise. Dieter’s mouth twitches.
“I can help you with painting too. You and I both know I’ve got a shit head for numbers, but this, I think I can do. With a little direction.”
He flashes you a smile and you inject your thumbnail into your closest finger.
“Um, maybe? I’m exhausted right now and probably shouldn’t be making any executive decisions.”
“You want me to walk you home?”
Your chest swells at his sincerity. “Just to the subway stop if you don’t mind.”
To your enormous (disparagingly, staggeringly large) surprise, Marie actually agrees.
“I’ve been staring at excel spreadsheets so long I think I’m going cross-eyed,” she says from behind the office desk you share that next morning. She massages her eyeballs with the heel of her palm. “We’re in a good place with the fundraiser announcements for the holidays and there aren’t any upcoming tours we have to schedule.”
You know this, but you let her talk through it outloud, hoping she’ll stumble across something that’ll make her change her mind. But she doesn’t.
She shrugs. “Tell him I’ll buy him dessert if he gets a car with heated seats.”
After your initial confrontation at your brownstone, Marie had seemingly changed her stance on having Dieter around. While she wasn’t about to offer to him to stop by, she most likely wasn’t still considering murdering him in his sleep. You wonder if it had anything to do with his consistent concern about your wellbeing – making sure you ate breakfast at those six AM calltimes and walking you home at night in the freezing cold, despite your protests. He even made the very risky joke that Daddy’s visitation hours were over and it was time to return you to Mommy . . . in front of Marie. And again to your enormous surprise, she laughed.
It was progress. Progress towards what, you weren’t entirely sure.
You smile at your friend, gray eye bags and all. Maybe this is the universe’s way of sending its approval; yes, this is okay to want.
“I’ll call him later today.”
It’s the last tour on a Friday before a long weekend. Meaning, none of the students are paying attention and a few appear asleep on their feet. You go on with your explanation of brushwork, of pattern recognition, that artists' use of color is almost as distinctive as their signature. You sound boring even to yourself, your quips falling flat and references feeling awkwardly outdated. Nothing could rouse these zombies and their glassy-eyed stares. The herd shuffles along as you take them to the charcoal exhibit.
This actually has you excited, charged even. You talk about the care that using this particular medium requires, that there are so rarely do-overs and mistakes are costly. The artist must be precise with their vision, focused, and above all else, determined.
Your impassioned speech for the arts wakes up no one and you fight back a frown.
Jesus Christ, gimme something to work with.
As you try and remember the next part of your tour, something beyond the crowd of students moves. You’re halfway through describing past and present famous artists who worked with charcoal, when you catch his eyes.
Dieter leans up against one of the white walls, a real one, not a hanging salon wall, his arms crossed and his converse notched against his ankle. You expect a smirk, a tease, so this is what you get up to when I’m not around, but whatever is on his face its not that.
It’s . . .
He’s smiling.
Like he’s proud of you.
You attempt to stifle the blush erupting up your face as you turn back to the artwork. If the students can catch the tremble in your voice, they don’t say anything.
Through the glass window, you see their bus pull up and stop by the curb, a beautiful glowing miracle.
“And that’s the end of our tour,” you say quickly. “Thank you for coming on this tour. Feel free to browse the gift shop, but you are free to go. ”
You don’t physically shoo them out the door, but your fingers clench just the same.
“You’re good.” Logically, you know you didn’t hear him coming, didn’t smell his cologne. But you sense him all the same. You don’t jump at his voice suddenly at your shoulder. You turn and smile back at him, throwing your hip out dramatically.
“Had some practice acting in front of crowds before. Maybe you’ve seen my work?”
He shrugs, swinging his hands into that tan coat – which he wouldn’t let you pay to get drycleaned – as he looks around the gallery.
“Maybe, I have,” he sniffs, “don’t get a big head about it.”
You laugh as he wanders back as though drawn to the art. Out of the corner of your eye, you spot your contribution and curse yourself for not tearing it down when you had the chance.
You sidle up next to him, hoping that if he got that far, you could deter his attention elsewhere. But he doesn’t notice your anxiety, your worrying ball of fear. Instead, he’s quiet, mouth soft, eyes slow to move across the exhibits.
“You know, you always were braver than me.” Your heart catapults into your throat, gaze wrenching away from your dark secret to him, to his face, to search desperately for a hint of a lie.
“W-what do you mean?”
“This, all of this,” he swings his hand out either to indicate the rest of the artwork or the building itself, “it’s so fucking incredible, Natalie. I let you see one painting of mine and I wanted to die from embarrassment. But this . . . you . . .” He shakes his head. “I couldn’t do this.”
“Do you still paint?”
There are flashes in your memory, more feelings than anything else, of that time in New Orleans. You’ve told your therapists as much as you can remember about it, about the drugs you took with him, how quickly it spiraled out of control. And then comes the most painful thing to admit: it was the first and only time in your life you felt truly happy. Having Dieter all to yourself was a bright spot that nothing, not even time, or anger, or heartbreak could ever extinguish.
And in those flashes of memory, you remember waking up and watching him paint gorgeous things on those green walls. Watching him paint on you.
Your heart aches, throbbing for just a minute. He’s been back in your life for months now, and you’re still convinced he’ll vanish the second you’re not looking.
Dieter nods, thoughtful. “Yeah, sometimes. It’s more of a stress reliever than anything else.”
“I get that. I tried out ceramic work before I found out I’m complete shit at it. But it felt good to punch something gooey.”
He grins. “Oh, yeah?”
You nod, adding, “moved on to painting giant murals after that. Pollock would have been proud.”
He follows you as you lead him back, into the long and winding guts of the gallery.
“I tried a lot of things after . . . after rehab. Not a lot stuck, but at least I wasn’t choking on my own feelings anymore.”
Your unconscious feet have brought you to the red painting your other tour group pointed out. It’s big, pulsating red, black specks invading the scarlet colors like an infection.
“Lots of love and nowhere to put it,” he murmurs to the painting.
His curls are just as lush, just as beautiful as they are on your charcoal sketch. As they are in your memories. God, his neck, his fucking neck –
He catches you staring and grins bashfully. “Sorry, what you said reminded me of that scene in Fleabag. When she confesses to the tax guy.”
You swallow around the knot in your throat, nodding your only possible action. And then he turns and you feel your knees buckle.
“Did you paint because of me?” The brown in his eyes is soft, overwhelming. Seizes you and nails you to the floor. The noise that would leave your mouth if you open it would come directly from your heart.
The gallery is quiet, empty. Silent as a church.
But then he steps back, resetting the distance between you. “Sorry, I shouldn’t have asked that. I’m crossing a line here and –,”
“Yes.” It’s gentle, quiet, your admission. Your confession. “Yes. You said you picked it up in rehab and I . . . I don’t know. I guess I wanted to see if it helped me too.”
He worries his lip, his hands fidgeting in his pocket. “And did it help? Painting?”
You huff and cross your arms as you stare up at the art you made with so much unhinged rage and painful love pouring out of you. You had been sure your tears were going to ruin the paint.
“Yeah. It did. Unfortunately, your fucked up matched my fucked up in absolutely every way possible.” His nose flares as he stares at the ground. It hurts him still, after all these years. You inhale, the smell of the space calming your nerves, Dieter’s cologne a heady undertone. Trembling barely visible, you reach forward and take his hand. It’s warm and heavy and you try to find a memory where it was gentle against your face, but it doesn’t come. Your brain longs for new memories of him, hungry, desperate after surviving on scraps. He stops breathing regularly as you intertwine your fingers. “For what it’s worth, Dieter . . . it was nice not to feel so alone.”
The noise he makes is quiet, almost imperceptible. Could have been a deep breath, a groan, a sigh. But it is something much more vulnerable, much more punctured than that.
You hold him a bit longer before letting him go.
“I don’t get it,” he mutters quietly, staring at your wrist. “I don’t get why you aren’t fucking furious with me.”
“I was,” you confirm. “For a long time, I was. I hated you, Dieter. But I can’t be mad at you without being mad at myself and I’ve learned to forgive both.”
He closes his eyes briefly, lashes thick as they obscure that beautiful brown. “I could have said no. I could have – stopped it, before it became anything.”
“You and I both know that’s not true.”
It's careless, throwing around suggestions about fate and destiny and the thing that binds all living things. Your gaze lifts from his lips to his forehead when he looks back at you.
“You’re right,” he hums. “You were, we were . . . it was an addiction I wasn’t prepared to deal with at the time.”
“Did it get better? Dealing with your . . . addiction.”
You want to think he’s looking at your lips as you face the painting again.
“Nope,” he says, a hint of amusement in his voice. “Had to quit cold turkey. But this one, uh, this one doesn’t come with any nicotine patches.”
You wrinkle your nose. “Those things smell disgusting.”
Something buckles as it crosses his face. He sticks his hands into his pockets again. “Yeah. But I would have preferred it to the alternative.”
New York had made a decision by the time Marie locks up the gallery behind her. The sky is a throbbing purple and thick snowflakes flutter against your eyelashes. The sharp wind had surrendered, winter making its final claim over the city, and it started snowing with confidence, with surety.
White flecks cling to your scarf as ahead of you, Dieter opens the car door for Marie. Desperate to get out of the cold, she practically launches herself across the leather seats, her little body always cold as it is.
“Did you seriously get a driver with this car?” You shake your head at him as you follow Marie. He smirks as he climbs in after you.
“I’m only partially responsible with a credit card now. Besides, New York drivers are so mean and my fragile heart can’t take it.”
It was a simple town car, but with the seats facing inward like a limo. Marie sits with her hands over the air vent in the floor with obvious relief on her face. She cracks an eye open to Dieter as he shuts the door and the car lurches into traffic.
“What do you want?” She scowls begrudgingly.
“What do you mean?”
“You went above and beyond the request for seat warmers. I owe you dessert. What do you want?”
Dieter chuckles, glancing at you as Marie all but curls up against the vent.
“Rain check?”
She hums and closes her eyes, her head lolling against the window. Dieter sits across from you, his feet tucked in between yours, a content smile on his face.
“Thank you,” you murmur quietly. The cold has left a pink blush across his cheeks and it looks wonderful on him. His hands flex by his sides.
“Least I could do.”
The only sound for a while is the rush of air coming out of the vent, the faint honk of a car in the distance. Over Dieter’s shoulder, you watch the slow trickle of snow turn more consistent, flakes turning to chunks. It looks deathly cold out there.
You meet Dieter’s gaze – only because he had been watching you first.
“Do you ever miss warm and sunny California?” you tease quietly, mindful of Marie.
“Sure.” Dieter shrugs and folds up his long leg over his knee. “But I don’t think California misses me.”
“I wouldn’t be so sure.” You cock your head to the side, watching the snowfall again. “California has a lot of good memories with you.”
“Well, if California ever wants me back, she’ll have to give me a call.”
You laugh. “She’s far too mysterious for that.”
“I’d like to think I know what a lady wants.” His voice is low, rumbling, like the heated vents. You glance at him but he’s already staring out the window.
You unbutton your coat and sit in silence for the rest of the ride.
Shandy’s is, presumably, packed. Hot bodies desperate to get out of the cold stand shoulder to shoulder in the pretend-crab shack. The irony of a beachfront-themed restaurant while outside a blizzard is brewing, is not exactly on anyone’s mind as they cram further in, away from the windows and drafts. The smell of fried fish makes your mouth water and these are the times you miss having an ice-cold glass of beer. With your arm wrapped around a sleepy Marie, Dieter stands on his toes to try and find Andrew and the other cast and crew who showed up. He drops back down, jerking his thumb over his shoulder, saying something to you, but it’s loss in the buzz of the crowd.
“What?” You yell across three feet. He shakes his head and, without warning, takes your hand, diving into the crowd. You have only a second to revel in the warmth of his palm before you have to take an active stance to avoid being elbowed or stepped on. Marie latches on to your arm tighter, one good jostle away from being lost in the sea of people. Dieter ducks and weaves with shocking precision, his wide chest cutting a path for you and Marie behind him. Someone steps back and you stumble into his shoulder.
He glances down at your intertwined hands, as if to make sure you are still there. You can’t quite read what’s in his eyes.
“Nearly there,” he murmurs before diving back into the crowd. Like the parting of the red sea, Dieter manages to pull the three of you through the knot of people and over to where a section of tables and booths had been roped off. Andrew leaps to his feet, his face red and eyes blurry, the instant he sees you.
“You made it! I thought we lost Dieter a while ago!” He embraces each of you, ending with Marie who glares up at him.
“I’m hungry.” A sleepy Marie was one thing. A hangry Marie was a whole other beast entirely.
Andrew chuckles and slings an arm over her shoulder. “I’m pretty sure we ordered everything on the menu twice, so dig in. All goes on the company card.” Marie’s eyes the size of silver dollars as she stumbles towards the feast, Andrew turns back to you. “What about you? Hungry?”
There’s something warm in your palm and it takes you a minute to realize it’s Dieter’s hand. You’re still holding hands – and smooth as ever, Dieter casually lets go as one of the cast members comes to give him a hug.
“You’re good, right?” He says to you, as they break apart. “You can come sit with us if you want.”
By some miracle, you spot someone who looks like Sarah from the back so you shake your head.
“Nah. I think I see my people over there.” And then you do something incredibly stupid: you clap Dieter on the shoulder, like an uncle would pat his neurotic nephew. “If Marie comes looking for me, tell her I’m in the back.”
He glances at your hand on his shoulder and then nods. “Sure. Uh, have fun?”
You are sweating beneath your woolen coat from the body heat of a hundred drunk idiots and now you can actually feel it on your hairline.
“Yeah. You too.”
You spin on your heel in the direction of your salvation, internally cringing at your own stupidity. If this girl isn’t Sarah, I am so totally and completely fucked.
The girl was, in fact, Sarah. Liam’s there too and a few of the other NYU interns. The art director sits in a booth nearby, talking to a couple of the students, so you don’t entirely feel like a lecherous weirdo hanging out with a bunch of nineteen year olds.
Many of them come up to you, offering to buy you a drink as a premature celebration for opening night, which is only just a week away. But you merely ask for water, or a coke. They obliged, curious, but respectful, staying for a while to chat until the ice in their glasses melts and they’re off for a refill.
In the early days of your partnership with her, Carla told you that addictions are formed out of habits: you turn to drugs or alcohol every time because you have no other tools with which to self-regulate. That you quite literally fill the silences by drinking because the alternative is unbearable.
So, you count it as a small personal, private win that you can lean against a railing, quiet, and watch the crowds of people without ever feeling like you need a drop to top it off.
But . . . there is a want. A missing of something no longer there. You toss back the ice to crack it between your molars before it melts.
“Hey there, stranger!” Dieter bounces up the few steps to the small alcove you’ve propped yourself up in. His cheeks are flush and his hairline is wet. That gorgeous jacket is nowhere to be seen. He shoulders up next to you and you are consumed with his radiating body heat.
A delighted scream goes up from the crowd as the opening chords of Sweet Caroline begin and the walls vibrate with a triumphant “bum bum bum.”
“Someone’s having a good time,” you practically shout over the bad and off-key singing, eying him up and he chuckles, swirling around the brown, bubbly liquid in his cup.
“Some of the kids wanted to go dancing,” he yells back, “and bet I couldn’t floss or whatever, so sue me if I’m a little sweaty.”
He drops his head and rubs his sweaty forehead against your shoulder.
“Ew! Dieter – get off!” You giggle and shove him away from you. Hekers as he stumbles against the railing. He sniffs his shirt.
“Blegh – I think I can already smell myself.”
Sobering, you watch him as he presses the cool cup against his forehead. He catches you watching.
“What?” He asks and pushes the sweaty ends of his hair out of his face.
You turn your head to his ear so you don’t have to screech over Neil Diamond’s most famous song for white people. “You look . . .” You can’t really find the right words now, opting for staring at a freckle on his neck until they come to you. “You look happy, I guess.”
The rapturous smile curled around his lips fades, his eyes caught on the melting ice in his cup. This close, your shoulders touch and he curls around you, like he’s got a secret. You’ve learned a thing or two from your therapist so you wait until he’s ready.
The crowd is insatiable, screaming and howling as the final chords play, and another plucky song starts up.
“Once upon a time, these kinda things were a struggle for me.” He nods to the crowd, the bar, the alcohol. “Either I’d get black out drunk and wake up next to my PA or a stripper named Candy. And then, when you met me, I was straddling sobriety and my failing marriage.” Another party, a hotel, a blue sparkling pool. Wanting nothing more to push him back into his room and unbuckle his pants on top of his linen bedsheets. Dieter drops his head away, his forearm tense against yours. He thumbs the edge of his cup, preparing it for his admission. “And then . . . I was going out of my mind trying not to think about you.”
You can’t admonish him. You already know this, how you had been the image in his mind he pictured when he fucked his fist, long before viewing party at the director’s house. But it feels new, fresh, like he’s confessing all over again. Like the feeling persists.
“Dieter, I . . .”
His mouth is soft, beard wet, neck sticky with sweat, but his eyes burn you. Threaten to singe the skin from your bones.
��Old habits die hard, I think.”
His thumb presses against your wrist, his big hand covering yours against the wooden bar, pinning you – you can’t move forward or pull away. The heat of his chest throbs against your stuttering ribcage, the fingertips of his other hand twitching against yours at your side, seeking out your knuckles and then jerking away. His inhale draws your chin up to his, you’re so close you can see every memory etched in the lines around his eyes, his pulsating skin above the vein in his neck – the way his lips part when you meet his gaze. He murmurs your name and the ghost of his kiss swoops down your spine, choking your lungs, robbing you of air. Heavy lashes soft against his cheeks, he breathes, gives you whatever is left inside of him and you swallow it down, inches from his mouth.
Here you come again
Just when I'm about to make it work without you
You look into my eyes and light those dreamy eyes
And pretty soon I'm wondering how I came to doubt you
In the lofty silence between you, the Dolly Parton lyrics are audible, the crowd decidedly less familiar with the words. The bubble of sound surrounding you, enclosing you and him, breaks, the casual hum of a bar returning, and the outside world suddenly exists again.
He blinks at you as neither of you can ignore the song any more.
Here you come again
Looking better than a body has a right to
And shaking me up so, that all I really know
Is here you come again, and here I go
“Smoke?” You squeak.
He nods quickly, pushing you gently on your low back. “We gotta get the fuck outta here before they play Jolene.”
It’s nearing 1AM when Marie finally stumbles out of Shandy’s, drunk and warm and full of french fries.
“‘Hn don’ even ca-are I’m over thirty n’ drunk as hell.” She mutters into your shoulder. Heavy virgin snow sits heavy on the ground, only a few imprints of shoes left behind. You hold her close, worried about her stumbling and yanking you both to the ground. Dieter has gone ahead to flag the car down.
“You say that now but wait until the hangover, sweetie,” you laugh and she squeezes you.
“Hmm, you’re maybe right.”
Bold headlights flash on the street ahead as the town car pulls up against the curb. Dieter jogs up, leaving the car door open behind him.
“Gimme Drunky Pants.” You help him hold Marie up right before he bends, scooping her up by her knees and cradling her to his chest.
“Dieter, be careful,” you frown. “It’s fresh snow. You could slip.”
Marie lifts her head, her arms looped around his neck, squinting. “Am I Drunky Pants?”
“Yeah, Drunky Pants,” Dieter chuckles as he leads you to the car. “It’s a good thing you weigh about a buck fifty soaking wet.”
“Hey, pal, ‘m at least two dollars.” She holds up three fingers. She tries to find you over his shoulder. “Natalie, call my lawy’r, they’re takin’ me to jail.”
You brush her wet hair out off her forehead just outside the door. “I’ve got bail money, don’t worry about it.”
Dieter snorts and climbs to the car, minding Marie’s head as it goes limp on her neck. He eases her onto one of the seats as her eyes flutter open and shut.
“ ‘re such a good friend, Nat-il-ee. I h’ve bail money for you too.”
You shut the door after them and Dieter raps the glass, indicating to the driver to go on. He sits back down as Marie’s hand touches his knee.
“ ‘r we friends, Die’er? We’re frien’s right?”
You bite your lip, trying to keep from ruining what could be a very sweet moment, as Dieter pats her hand.
“Yeah, Drunky, we’re friends.”
“I’m not Drunky, you’re Drunky . . . wait, no, guess y’re not.” With a sigh, Marie rolls over and faces the plush seat. “Good night.”
Dieter meets your eyes across the car, your teeth tight against your lips, and he shakes his head, grinning like a mad man. Don’t ruin it for her.
You nod, snorting down a giggle. You take out your phone and snap one picture. Just for memorabilia.
DECEMBER
The morning of Opening Night
The concrete floor is cold even through your thick socks and hard-bottom slippers. The low window is shut and has been locked for weeks now, but the icy air managed to sneak in anyway. A woolen shawl around your shivering shoulders, you shuffle towards the stack of shelves at the back corner of your basement. Your pottery wheel sits clean and unused, the prospect of either hauling it up to the kitchen or freezing your ass off down here equally unappealing.
You store things down here that are either seasonal, like decorations and bug spray, or things that are too big to fit somewhere upstairs. Or, in the case of what you’re looking for, things that weigh too much.
It’s on the bottom shelf in the back, like it always is. You realize now that you’ve unintentionally stored it in a place of shame or embarrassment, a dirty secret you can only look at when it’s cold and all the lights are off. But that’s not how you feel about it. You slide it off its shelf, the only thing here that isn’t covered in a layer of grime that accumulates over items in basements. The buckles are cold under your hands and you feel like you should apologize. So you do. Silently, you make a promise that it’ll no longer live in the basement, that under the bed, easier to reach, might be a better home for it.
After all, you think, after tonight, you might want to show it to him.
Breathing out puffs of white air, you tighten your shawl over your shoulders and make the slow climb back up to the warmth.
Opening Night - Premiere of Homeward with You directed by Andrew Young
You puff out your cheeks, air rushing out between your lips painted the color of pomegranate, deflating entirely, as you swish the emerald green folds of your dress back and forth in the mirror. At the store, you loved it immediately and Marie audibly squealed, repeating that on the point of death, you had to promise to buy this dress for the premiere.
Now, you think it fits awkwardly, the waist too tight and the loose shoulders unable to settle right. The high collar around your neck threatened to choke you out, your overheated skin uncomfortably itchy beneath the wool.
This is stupid. I look ridiculous. I’m changing immediately –
“If you try to take that off, I’m tackling you to the ground.”
Marie shakes her head as she slips silver studs into her ear, her own black dress stunningly elegant yet remarkably simple. Her short hair is coiffed, tucking around her ear in a way that would make any flapper girl sick with envy.
“But it doesn’t look right,” you whine. “I look like an asparagus!”
She rolls her eyes and picks your earrings up from your vanity, your gold necklace looped between her fingers. Her smooth brow is furrowed as she gently slips your earrings on, softly plugging the backs. She is quiet, contemplative.
“Did I ever tell you I wanted to be you when I grew up?” She asks quietly.
You frown at her in the mirror as she goes to put on the other earring. “That’s ridiculous. You of all people know what a complete nightmare my life has been.”
“Yeah, but you’re still here, aren’t you?” She unhooks the chain of your necklace. “You are without a doubt the most tenacious person I’ve ever met. You’re brave and funny and smart. Everything I ever wanted in a big sister.”
The sharp flush of tears in your eyes threatens to smear your mascara and you catch her arm as it rests against your shoulder to clasp your necklace together. She stills and you look her in the eye.
“You’re my best friend, you know that?” You ask her, your voice tight.
She puts her arms around you, her head on your shoulder, her heels adding that extra height, and you watch each other in the mirror.
“Of course, I know that. I just want you to be happy.” Her tone changes and you can’t find her meaning in her eyes.
“I am happy,” you say, firmly. “I’m happy with this life we built.”
She kisses your temple. “No, you’re not. But you could be.”
The falling snow flickers and sparkles in the bright lights of the theater, the sidewalks clear for now. As the car approaches, through the window you read the name of the production up on the marquee in giant bold letters, his name just below it. Your stomach tightens.
The tires squeak and you climb out of the cab, Marie just behind you. No one greets you and there are no flashing camera lights. There are a few journalists, trade reporters, critics but they stand around, relaxed, smoking or talking amongst themselves. It’s a relatively quiet affair, not uncommon for productions of this size. You feel the brief press of disappointment before boxing it away.
The lobby is warm, with bordeaux floors and wooden paneled walls. An ancient staircase spills out to greet its guests, rich, shining banisters peering down from the second floor. A smiling suit-and-bowtie bartender waits by the coat check-in desk, converted from the old ticket sales corner used during the theater’s glory days. Marie offers to take your coat as your phone starts to ring.
Fighting between your coat and getting your phone, you answer it without checking the caller.
“Hello?”
“Hey there.” Dieter.
Your mouth dries and you glance at Marie chatting with the coat check-in girl. Quietly, you make your way over behind the grand staircase, a little out of sight.
“Dieter, shouldn’t you be getting ready?”
“I can do both. Talk to you and put on this eyeliner that makes me cry.” You fight a smile, your hand holding your elbow, shoulders hunching towards the sound of his voice. “It’s okay, you can laugh. It was funny. I’m funny.”
“Dieter, did you call for a reason?” You know he can’t physically see you roll your eyes, but he’s deserving of it anyway.
“Yeah. Um, well, actually I was wondering if you could do me a favor.”
“Of course. What do you need?”
“If you’re in the lobby, can you look over by the old phone booths?” Annoyingly vague occasionally, but cryptic, Dieter is not. You peer around the wall, your gaze running across the lobby. Sure enough, by one of the other theater entrances sits five old wooden phone booths. Only a few still hold the rotary boxes, but in one on the end sits a small woman with white hair. “Do you see a lady there in a silver dress in one of them?”
“Yeah, I do. Who is she, Dieter?”
With an exasperated chuckle, he says, “okay, this you can’t laugh at. She’s my therapist.”
“What?”
“Okay, ex-therapist. I met her in rehab and I stuck with her after I got out. But then about five years ago she retired and she referred me to someone else. We kept in touch and became really good friends. I flew her out here to see my play and I was wondering . . . if you could keep her company.”
Your mouth dropped further and further open. “Dieter, I . . . I don’t know . . .”
“She doesn’t bite,” he laughs. “And don’t worry, she only knows only most of the details of our sex life.”
“DIETER!”
“I’m kidding – I’m kidding!” You can picture him hunched over on the chair in the dressing room, laughing himself silly. He sighs, giggles subsiding. “Okay, look, she knows you who are, but I don’t talk about that stuff with her anymore.” His voice drops, quiet and boyish. “Besides, she’s kind of the closest thing I have to family and I don’t trust anyone else with her but you.”
You can almost feel his breath across your jaw, his hushed reverence.
“You still there?”
“Yeah, Dee, I’m still here.” You scratch your eyebrow with your nail. “Of course, I’ll keep an eye on her. What’s her name?”
“Beatrice, but I just call her Bea.”
You arch an eyebrow. “Bea and Dee?”
“I’m just cute like that.” You laugh with him this time. There’s a part of you that wishes you could have seen him before the premiere, given him what you want, but you worry it might have messed with his head. “Thank you. It means a lot to me.” He sounds so sincere. “I’ve gotta go, but –,”
“Dieter, wait.” Phone clutched tight to your ear, you go deeper into the bowels of the theater, by the door that leads to the cabaret stage. “I, um, I have something to show you later. Nothing serious – and it doesn’t even have to be tonight but I’d like to steal you away for just a bit.” You smirk, trying to get some even footing underneath you, but his silence dries your mouth out. “I-i-if that’s alr–,”
“Say when and where and I’m there.”
“Yeah?”
“Yeah.”
“A-alright. Then, uh, break a leg.”
He chuckles, right down your neck. “Thanks, Nat. Oh and if I don’t see you until afterwards, you look really nice.”
You swallow around a dry knot of wool in the back of your throat. “Is this where I’m supposed to say, ‘you can’t see me’ and you say, ‘I just know’?”
“You’ve got me all figured out. I’ll see you soon, okay?”
“Bye, Dieter.”
You close your eyes, thumb shaking as you tap the red button on your phone. Every breath catches on the knots of your spine, of the curve of your ribs, as it goes down, hollow, sucked down, only to emerge shredded and weak.
The memory of what had nearly happened the night of the party at Shandy’s, it’s sunk into the crevices of your brain, under the skin behind your forehead, weighing your brow down day by day. It’s there, but you don’t see it. You don’t look. Like a beast in the jungle, you don’t make eye contact, hoping it will pass you by.
Hearing his voice over the phone, teasing you, you swear you hear it growl.
Look up, look up, look up
Look at me
Slipping your phone back in your purse, you straighten your shoulders and march for the old phone booth.
Bea is probably about sixty years old, maybe closer to seventy. Silver hair tucked back in a low bun that makes her dress shine, short unpainted nails press a ratty paperback book into her lap. She adjusts a navel blue sheer shawl around her mache-thin skin when you gently tap the window, smiling. She blinks up at you with the biggest blue eyes you’ve ever seen on a living human being.
What it says about you and Dieter that your therapists could not be more different, is a question you’ll bring up to Carla later on.
You gently push back the accordion door and wave.
“Hi. I’m –,”
“Oh, I know exactly who you are,” she says softly, her smile coy. She bookmarks her page and closes the book – The Jungle by Upton Sinclair – before standing up. Not wanting to offend her, you don’t reach for her unless she seems unsteady, but her walk is confident, if not slow as she exits the phonebooth. “Dieter said a friend of his would come get me.”
Yes, but do you know which friend? Those thin lips swirl up to the corner of her mouth, her eyes playful. “You really are as pretty as he said you were.” Quickly, she adjusts her shawl and offers out her small hand. “Lovely to meet you, dear.”
Mischievous. Like those little elves or sprites. Instantly, you see what Dieter likes about her. You offer her your arm.
“Lovely to meet you too, but I get the feeling you know much more about me than I know about you.”
She pats your arm, that dizzy (fake) bleary old lady glaze going over her eyes. “I don’t know what gave you that impression.”
Above you, the lights flicker and a thrilled anticipation hums from the lobby, those still left eagerly moving to take their seats
“Oh, I’m so excited,” Bea squeals against you.
“You’ve never been to Dieter’s plays before?” You wait until the flow of people lessens, not risking an elbow or an errant shoe.
“He doesn’t let me!” She grouches. “Only recently has he let me see some of his movies. But he picks them out and we have to watch them together. Honestly, that man is such a goof!”
Her blue eyes watching people go by, she doesn’t see you chew your tongue. The man he lets Bea see is so wildly different from the one you knew, or the one you’ve gotten to know the past few months. The idea of just sitting down on the couch with Dieter to watch a movie was once, well, impossible. Now it didn’t seem . . . right. You try to picture this Dieter, this long-haired, relaxed, sober Dieter in a dark room, feet under your covers, laughing – laughter comes so easily to him now – and you couldn’t. Your brain shut the doors and turned off the light. No, no one’s home.
No one’s there.
“He’s a doctor in this one,” you say by way of filling the silence. “Did he tell you that?”
Bea peers up at you, her silver eyebrows arching. “No. He said he wanted it to be a surprise.”
“He’s a small town doctor, in a town on the verge of collapse in the thirties. He’s caught between being responsible for his brother’s kid, who has been drafted just before he’s set to get married, and getting out of the town himself.”
“Ooh, his dramatic roles are so good!” Bea squeals again, squeezing your arm excitedly. You wonder if this is what she does to Dieter’s arm when they watch his movies. The crowd thins, so you lead her down the steps, to the front row that Andrew roped off for special guests. The theater is small, intimate, not space for more than fifty people, but the red velvet seats have been kept in immaculate condition, the Roman-inspired paintings on the ceiling and golden-dusted ceilings kept fresh in gloss and shine. It’s, for lack of a better word, cozy.
Marie is already there with a playbill and her smile fades when she sees you with an old woman on your arm. You shake your head, I’ll tell you later, and help her sit before taking your seat next to Marie.
“Do you miss it?” Bea asks quietly, her eyes on the stage, as the room fades to black.
“Miss what?”
“Acting.” If you were dancing, you would have just tripped. “With him?” And now you’re on your ass, wondering what the hell just happened.
You swallow, those blue eyes so bright and earnest. “Um. Sometimes.”
Bea sighs, rolls her eyes, and pats your hand. “He misses it. Even if he’ll never say anything.”
You don’t ask her to elaborate, because you don’t want to know.
He’s good. They all are.
There is a natural chemistry reflected between the cast that is often so hard to find. The subject matter, the sets, the expertly designed costumes – there is a sense of grounded realism. As Andrew hoped, the audience peers into the lives of a people strapped on a path of destruction. They fall apart as their town does around them. They get in their own way. They sabotage their own happiness again and again out of fear or frustration. Every character is fully realized to the point of anguish, of emotional damage because how could they not see it? How could they possibly continue to live their lives like this? How long do they believe they should suffer?
And beyond this swirling chaos of painfully human failure are the mobile walls you designed. They evolve, transform under expertly placed light, shadows increasing or decreasing depending on a blue or red light. The old Greek plays had The Chorus, omniscient watchers that took pity on the tragedy but were unable to stop it. Andrew’s play had your designs; silent, overbearing smears of sadness or grief or joy just out of reach. In such a grounded play, the walls added a sense of vivid delusion, waking madness, providing a razor’s edge of tension to every scene.
Dieter’s character is morally flawed. Tired and run down by this world that’s given him nothing, no hope; stealing from his patients when he conducts housecalls to pay for this “escape” that never comes. At first he has no interest in saving the skin of his nephew, not willing to risk imprisonment over a fake diagnosis, but he, like the audience, is forced to bear silent witness to the genuine, deep, honest love between his brother’s son and his sweetheart, played by Emily.
They sit at a kitchen table, the set painted a light green, the wood chipped and window glass cracked above the grimy sink. The night before he is meant to be drafted, Dieter’s doctor in the corner trying desperately to appear unaffected as his nephew goes through his will to his sweetheart and his uncle, so that in case of the inevitable, they know what his final wishes are.
The boy is choked up, nervous, reading through every word with an agonized sob. His hands that hold Emily’s are shaking, as silent tears stream down her face.
And then in a truly beautiful stroke of theater production, the boy pauses, and a recorded voiceover of him continues to read the will. But he stands, Emily and Dieter frozen in time behind him, and gently kisses Emily on the forehead, his eyes shut and face wet. He lets go, and turns to the audience.
The voice over fades to a low hum as he stands at the center of the stage. The boy is mere feet from you. He watches Emily over his shoulder.
“There are things I want to say to you, but I can’t. I think you already know them, but saying it out loud would only make things worse, not better. I would be saying them to be selfish, to unburden my own soul, by weighing down yours. But you know, right? You touch me and suddenly I feel a little less war torn. I'm not sure what peace is supposed to feel like but I think it may feel a lot like you.” He goes to her, still frozen, still curled up on the table, her eyes seeing nothing. He strokes her cheek, getting on his knees to look into her visionless eyes. “I will love you if I never see you again, and I will love you if I see you everyday. I will love you as we find ourselves farther and farther from one another, where once we were so close. I will love you until your face is fogged by distant memory. I will love you no matter where you go and who you see, I will love you if you don’t marry me. I will love you if you marry someone else and I will love you if you never marry at all, and spend your years wishing you had married me after all. That is how I will love you even as the world goes on its wicked way.”
He drops his head onto her hands. The reading of the will ends and the lights hold, just a bit longer on the doomed couple.
“Are you okay?” Bea whispers, touching your arm and dropping back into your own body, you stare forcefully at your lap, begging the tears to stay back.
A cold sweat breaks out across your forehead, down the skin on your back, sucking your dress’s zipper to your spine. The blood in your ears roars, thunderous and loud, and you know you’re breathing unevenly, but you can’t help it.
You nod, wishing she would look away.
You feel green, feel pale, like something is molding inside of you, sickly blue sprouting around your spine and into your stomach. A sickness, an illness, lying dormant for years.
It’s still there, you understand that now.
The beast in the jungle, you meet it straight on, knowing the truth of it from the very beginning. But to what end – where would the self-inflicted circle of missed opportunities and failure finally end?
To unburden my soul, by weighing down yours.
The lobby is loud, dozens of voices overlapping each other in an excited chatter, the crowd . You bring Bea to one of the long, low benches near the twin sets of double doors at the entrance, careful to take her out of the rush of the crowd.
She groans as she sits down and eases her feet out of her silver flats.
“I do not miss the days of heels,” she says with a sigh, rolling her ankles around. “But is it too much to ask that they make nice shoes that don’t chew up your feet?”
“My mother used to say that was the price you pay for being a woman.” You sit down next to her, watching Marie chat with the art director across the room. “It’s not supposed to feel good, she said.”
Bea shrugs. “I suppose that’s true, but seems like a terrible way to look at life. A cycle of reward and punishment.”
You grin wryly at her. “My mother was a pessimist.”
“And you?” She leans back, her thin hands on her lap. “Are you a pessimist or an optimist?”
“I’m trying to break the cycle of reward and punishment.” Your eyes unconsciously fall to the door to the theater. “But old habits die hard, I guess.”
An excited roar sparks from across the room, the crowd surging towards the double doors. You see Emily’s shining blonde hair between shoulders, her bright smile. You can’t see him, but he’s there, you know it. So you sit back with Bea, matching her easy position.
“I know my old bones couldn’t fight off that crowd,” she nudges you with her elbow. “But you should go.”
A flash of the curve of his chin, the sharp angle of his nose, the endless brown of his eyes.
One way or another, it will be over soon. There is a sense of peace with that, whatever the outcome.
You shrug. “I’m just fine right here.”
So you sit, with your ex’s former therapist and closest thing he has to family because his are all gone, or they hate him. You ask her about Upton Sinclair, and she asks you about what you do, and you tell her about the gallery. The two of you could have been sitting on a bench in Central Park, for all the hurry you take, exchanging questions and answers.
Reporters ask for his picture, vloggers using their livestream to ask him about the role. You and Bea watch him, never talking about him, but never looking away either.
He’s handsome. He always is. Hair slicked back, eyes still ringing with black. He smiles and performs and you wonder if he’s a good enough actor to pretend to want to almost kiss you. His suit jacket is a deep red, almost purple, a perfect color for a December premiere. He turns, leaning into a photo with a few of his castmates and you see it – a flicker of dark green on his lapel. A glass leaf, the same color as your dress.
You fight to hide your blush, your assumptions really and truly getting out of hand, and you ask Bea about where she’s from. Eventually, Marie comes and joins you two, and her eyebrows jump only slightly when you tell her Bea’s connection to Dieter.
The congregated crowd of media and fans alike eventually subsides, leaving just friends and family. Andrew finally comes out and an applause goes up. He’s pink and his eyes are a little bleary and you think he might have started celebrating a bit early. Toby holds his hand and he leans into it, smiling like a fool.
You hear a buzz about an afterparty through excited grins and one-armed hugs, the news met with nods or groans. The last stragglers linger, wandering out into the cold or into waiting cars. The lobby is flushed with cold air every time the double doors swing open. Marie has gone to pick up your coats, including Bea’s, her wrap doing nothing for warmth, and you lean your head back against the wall.
You’ve been rehearsing something in your head since this morning, a final script, the end to the scene. Nothing fits quite right and you wish you’d written it down, but that risked someone finding your batherings. Maybe you’ll journal later, to get down everything in your head, everything you can’t say or don’t know how.
The crowd thins, and a few more flashes go off, and then he’s coming towards you, arms outstretched.
“Bea!”
The old woman wrestles to her feet with a speed you hadn’t witnessed all night and Dieter envelopes her in his arms. Without context, the image is sweet, domestic: a boy and his mother.
Then she steps back and messes up his perfectly combed hair. “There – that’s the Dieter I know.”
You swear he blushes.
“I have had a lovely evening with your friends!” Bea says, holding his hand and giving you and Marie warm smiles.
Marie out of the blue rushes forward and nearly tackles him to the ground. “You were so good, Dieter!”
His eyes widen before his arms come around her waist, squeezing her so tight he lifts her off the ground.
“Mhmm! Thank you! Thank you for coming. And now I promise to return your business partner to you. No more painting backdrops until midnight.”
She slips off him, as his eyes drop to you, the warmth there softer than the velvet chairs. He reaches for you and all of existence narrows to his palm. You take it and he pulls you into his chest.
He smells like your old Dieter. That layered musk of charcoal and vanilla, of sweet tobacco and sweat. Of course, he wears cologne, expensive and rich, but you turn your nose to his neck and inhale – it’s still there. Somewhere. His hands fall to your hips, your low back, then they’re sliding up your dress, cupping your ribcage against his. You pull him tighter to you, the scruff of his beard rough against your cheek as you breathe each other in. It happened accidentally, but this is the hug you should have given him all those months ago – one that allows for joy, for remembrance, for an ease that only comes after two people have learned the other intimately, where so much of one exists within the other, their own hearts cannot decide where one ends and the other begins.
He presses his warm hand against your shoulder, tucking you farther and farther in, as the other hand spans across your entire back, his face burrowed in your neck. You feel him sigh, at ease, his ribs expanding into yours and you fight back the sharp swell of the sob caught in your throat. You had no idea what it meant to be held until this moment.
You don’t want to let him go. You don’t think you can.
But the double doors sweep open, drafting in the cool air and stronger, prevailing thoughts. Your chin trembles at the strength it takes to keep from pressing your lips against his cheek as you set your weight back on your heels, his hands resisting your release until the very last moment. He doesn’t let you fall or drop you; he eases you back down, away. But his hands are shaking and he steadies them around your elbows and you take his because you think your knees will buckle if you don’t keep touching him. His mouth makes a wet noise, his eyes on the ground, feet shuffling back. He holds you as though the room is spinning.
“Um, Dieter,” Marie’s voice comes in from far away as you fight the urge to bury your body up under his chest, to lift him up with every ounce of strength you possess. “There’s an afterparty . . .”
“But I’d rather like to go home first, darling. If that’s alright,” Bea says. “Dieter?”
You watch his throat convulse and he stands up right. He lets go of you entirely.
“Sorry,” he swallows, resolutely not looking at you, “just got a little lightheaded. Haven’t eaten much today. Bea, can I call you a cab?”
“Do you want to go to the party?” Marie asks you as Dieter guides Bea over to the front desk. “Andrew’s invited us.”
You shake your head, watching them go. It has to end tonight. It has to.
“I . . . can’t. There’s something I need to talk to Dieter about.” You tear your eyes away to her concerned face. “Shouldn’t be long, but after that I’m gonna go to bed. I’m exhausted after four months of this.”
She nods like she knows it's been much longer than that. She hugs you, pulls you in tight, her mouth tucked in by your ear and says, “don’t take this the wrong way, love, but you were never going to be just friends.”
You don’t make eye contact with her when she pulls away.
Ten minutes later, Bea and Marie have decided to share a cab, Bea’s hotel on the way to Marie’s apartment. You and Dieter stand on the curb, waving to them as they go. The snow is coming on thick now. A few catch on his lashes as he turns to look at you.
“Are you sure you don’t want to go to the party?” You ask.
He shakes his head. “There’ll be others. What did you want to show me?”
Age has done nothing to rob him of his beauty. You think you hope it hasn’t robbed him of anything else.
The creaky door of your brownstone greets you as you lead him inside, cheeks blushed pink from the cold, fingertips slightly numb, the metal keys in your hand bitterly chilled. You fumble for a few lights, cursing yourself that you left your home in total darkness hours earlier. The warm overhead lights awaken your living room, then the dining room across the hall. You’re grumbling to yourself and completely oblivious to Dieter’s open-mouthed stare. You’re leaning against the wall, fighting with your heel as he walks into your aubergine-colored living room with the plush gray couches and wall-to-wall bookshelves.
“I want to look at every single one of these,” he says softly, fingers curled around your chenille throw blanket on the back of the sofa. “Have I read any of them?”
“If your reading tastes are anything like Bea’s, then probably,” you grin at him as you finally slip out of your heels. You fight the urge to groan, your feet flat against the hardwood, sensation finally returning to your toes, but you do sigh. The noise brings his attention to you and he smiles.
“You do look beautiful.”
Your toes visibly curl and you feel the smile slide off your face. You nod over your shoulder.
“C’mon. It’s in here.”
He follows you through the other open-archway rooms to the kitchen, where the box from your basement sits on the counter. It’s gray, unassuming, with little buckles as adornments on the corners. Something about it feels weathered, hard won, as if it had been shipped across the ancient sea by long-dead ancestors.
The lights are low here, hovering low on the dimmer switch. You always thought kitchens should be relaxing, comforting, so you rarely brighten the room unless you have to. Behind you, Dieter unbuttons his jacket as you grip the lid.
“Now, you can’t laugh,” you say, a playful curl to your lips. He mimes an ‘x’ over his heart.
“Wouldn’t dream of it.”
“I’ve had these for a while, collecting them as I came across them. At first, it seemed almost morbid, but – I don’t know – I took comfort in them. As time went on, it helped me remember that everything that happened back then, actually happened and wasn’t just some insane LSD trip.” You thumb a corner. “At least it wasn’t for me.”
His brow deepens as you take off the lid.
He blinks a few times, trying to understand what he’s looking at. You wait, sit down on a black stool, watching.
Newspaper clippings. Magazine articles. Online articles printed and cut out.
He takes a few out, his fingers running over the corners where yours have gone a dozen times.
“Are these . . .”
“They’re all about Recovery Road. Speculation pieces on why it should win an Oscar, or several, even before it premiered. First reviews and public, consumer reviews. Trades on Heidi’s directing career, the cinematographers, the music for the film.” Your bare toes could brush his shoes if you swung your leg forward just an inch. “Opinion pieces on my career . . . and yours.” The knot in his throat moves as he flips through, going back ten years to the first articles. You watch his masculine hand, thick veins and weighty palm. “I know we didn’t make Oscar night, Dieter, and I don’t know if you ever stopped to celebrate. I know I didn’t, even years later. So this became my little celebration and in light of your success tonight, I thought you might like to celebrate with me.”
He spreads a few out on the counter, the strange shapes of cut-out articles like lost puzzle pieces. His mouth is a straight line, those thick eyebrows drawn down, jaw set tight.
“That night was the worst night of my life, Natalie. I don’t know why you want to remember it.”
His voice is rough, cutting, comes from a place at the back of his chest. Your heart sinks.
You’ve gotten it all wrong.
“Oh. Oh, I . . . I’m sorry. I thought . . . well, actually I don’t know what I thought. I’m sorry.” You shake your head, dispelling any lingering illusions you may have, and brush together the articles he laid out, jumping to your feet. “This was a stupid idea. I can’t believe I thought this would be fun. I took you away from your afterparty to show you this ridiculous –,”
His big hand loops around your wrist and you freeze, the warmth of his palm exploding up your arm and into your cheeks. Dieter looks at you with a weight so profound you feel as though you could plunge through the floorboards.
“I lied to you.” He says gruffly. “Ten fucking minutes into seeing you again and I lied.” He works his jaw as his hand slides up to your forearm, then your elbow where it notches over the bend in your arm. “I know I said I thought we’d be better off if we never saw each other again, but that’s not true. Every day until you were released from that hospital, I begged Heidi for any news. On your health. On your withdrawals. On if you got out of the fucking bed that day. And then after you got out and into rehab, I asked Heidi to check in on you. But I knew it had to fucking stop. I had to fucking stop wanting things to be different because I didn’t think they could be. Do you understand what I’m saying?”
Your bottom lip trembles. “And now? Now, do you think things could be different?”
The lines around his eyes tighten as he straightens up. But he still holds your arm like it's the last life raft in a cold black ocean. He turns his head, an imperceptible tilt.
“I don’t know. I really don’t. Do you want it to be?”
“Dieter,” you cry out, out of breath before you open your mouth, air held captive in your chest. You’re crying and you don’t mean to be. You sway as you violently shake your head and he grabs your other elbow. You reach forward and steady yourself with both hands on his biceps. There’s no way you can say this with your eyes open. “Dieter . . . for months now, everyone’s been asking me if I need space from you, or if it’s alright with me to be alone with you. If everything is still too painful to be around you, like I need protecting from you or something. But I – I don’t know how to tell them . . . that’s all I want. I want you. Even after everything, after how fucked up it was, how fucked up we both were, I can’t stop thinking about you.”
It comes out in a rush, words and tears tumbling out of your mouth. You open your wet eyes to his lips parted in surprise, his face soft beneath the weight of your revelation. You inhale, more tears and more courage to say the things you’ve always wanted to say. No paper, no pen, no going back.
“Dieter, I think about that house in Albuquerque all the time. I wake up and I think I can smell you in the kitchen. Or you’ll be out on the patio, painting. I know you and I went our separate ways – and I think that’s what was best for us then – but God, you never went away. You never, ever left.”
You tighten your grip, nails digging into his lovely jacket. Staring at his throat, locked in by memories, you want to drag him to the floor and cry in his arms, the way you should have on that hospital bed.
In the silence, your gaze drifts, down his chest and over to his lapel.
That green leaf pendant. The color of your dress. You thumb it and it’s warm, like his heart sits just behind it.
Unexpectedly, his wide palm rests against your jaw, tilting your head up. Eyes warm and dark like the dying coal in a wood-stove, he brushes your cheek with his thumb. You don’t realize how cold you are until your face is held in his hand.
“I’m gonna fuck it up if I say anything,” he says quietly, to you and you alone, “so I’m just going to do this.”
In an instant, years and years and years of buried fear come screaming into your chest. That single most profound worry you carried with you since he first kissed you the night of the rainstorm – dug it deep, covered with ignorance and a blind eye – it emerges like a seed sprouting into the light when his lips touch yours.
You fold up into him, this fear, this concern pulling you up as he does.
You feared, in all this time and all these years, that the great love of your life, the end-all-be all to romance and adoration, had been nothing more than a misguided, lonely girl giving away parts of her to unworthy holders – drugs, alcohol, addiction, and Dieter fucking Bravo, the first man who taught her there was something special about sex and feelings and not being alone in the darkness.
You break apart from him, trembling in his arms. You’re crying again and you think he might be too, but it’s too blurry and it’s too much.
“Dieter, w-wait–,” you grip his lapels, unwilling to separate his chest from yours, the press of his hips against yours. “W-what if we are wrong? What if I was wrong – what I felt for you, what I feel for you, everything we had – it’s just – a-a mistake. What if what you feel for me, is just more psychosis, more pills we have to swallow to fix it, fix us? F-f-fix me? What if you never really loved me?”
With a groan, he presses an open-mouth kiss to your cheek, the ghost of teeth against the fine hairs on your skin.
“If what I feel for you isn’t love, then I don’t know what it is.” His arms sink across your low back, as if pulling you in as tight as he could make you understand with touch alone, send you his thoughts unfiltered and honest. He kisses the corner of your mouth, wet and frantic, and then your cheek and then again on your mouth. It’s wet and messy and he pulls away, just inches, to say: “I’ve loved you every day of the past ten years. I never stopped loving you. You were the only thing I ever got right.”
A soft cry escapes your mouth, hand on his cheek, as you tug him back into your mouth. Your lips barely part at the touch of his teeth, before he slips into your mouth, tongue massaging yours.Your nails scrape the back of his neck, the curve of his skull, fingers delightedly yanking on his longer, wilder hair. Everywhere he touches you, it’s insistent, determined to make you feel his love. He breathes harshly out of his nose when he palms your ass in his wide hands and you allow yourself to rub up against him, as if you didn’t own every inch of him already.
Even through your dress and his slacks, the heat of your cunt up against his half-hard length is enough to have you both gasping for air. Breathing doesn’t really work right, lungs stuttering, half-aborted gasps through hiccups.
His hand curls around your jaw and he kisses you again. You no longer need to breathe air that hasn’t been recycled by him first.
“I’m so fucking scared,” he murmurs against your lips, half-open eyes searching for hesitation, for rejection.
“Me too.”
You claw at him, and still sucking on your mouth, he rolls your dress up over your knees, up to your hips. His hands on your bare skin for the first time in a decade, he cups the back of your knees, tugging you up onto his chest.
“Where?” He mutters.
“Upstairs. Second door on your right.”
You spend the time it takes to get there familiarizing yourself with every curve of his mouth, the softness on the inside of his cheeks, where along his neck elicits the deepest groan when you use your teeth.
Memories whisper like ghosts – he likes it there, lick here and listen to him, bite, yes, bite – you slip his earlobe between your teeth, nipping just north of gently, and he falters.
“You got this?” You tease, nosing under his jaw, as he makes the landing.
“If this place was blown to bits,” he grumbles as he knees open your bedroom door, “I’d still find a way to fuck you on this mattress.”
Kneeling one leg at a time, he unfolds you on the covers, hands free to roam against your hips, your ass, the backs of your thighs. Your nails scratch through his hair one last time before he sits up.
Your bedroom is dark, blue in the winter, and the only light to see him by comes from down the hallway and over the banister. In the half-light, Dieter glows, a faint bright edge to his hair, his right arm as he slips it out of his jacket, tossing it to the floor. It lands somewhere and you don’t hear it, don’t look, instead watch his fingers unbutton his collar, tugging the starched shirt out of his pants.
Mesmerized, you want to tell him to stop, that you want to do it, but you can’t. You have and always be spell-bound by Dieter Bravo. He gets off his outer shirt and that’s when you realize how hard he’s breathing, the shadows blurring the pink tinge on his skin.
“Dieter, baby,” you worry, reaching for him and he comes, collapsing on his trembling elbows. He kisses you with a wet mouth.
“I can’t believe you’re letting me do this. You’re so fucking beautiful. You look like a fucking angel, on this bed, in this dress and I never thought I’d ever be here with you again.” His chest shakes and you pull him between your legs, arms wrapped tightly around his shoulders, hand cupping the back of his head. He buries his head in the curve of your neck, grasping at your back with his arms.
You together lie there for a minute, in the silence and comfort that is afforded those nestled in intimacy. He fits, so well, like no one else ever has. Bones touch bones, his space is filled by your joints, his blood warms where you are cold. Disjointed and broken, you slot together in holes made by the other. You stroke his hair and he pulls back. The grin that grows across his face causes tears to spill down the apples of his cheeks.
“You’re a fucking hurricane, baby, and I love you.” He holds your cheek in his palm, softly pressing a kiss to your lips. “Can I take off your tights?”
You nod, swallowing thickly, the anticipation of having his hands on your skin making you twitch.
He kneels away from you and one hand slides up the material of your dress while the other reverently plucks at the tight waistband of your nylons. He tugs gently, then using both hands, knuckles scraping your hips, your thighs. He touches the back of your knee and that fear resurfaces just for a moment.
“Be careful, Dieter,” you gasp. He slows, catching your eyes. “P-please be careful.”
The rest of your nylons come off easily while he nods, his thumbs briefly rubbing the material before they’re tossed to the ground. The night air is suddenly cold, colder than it had been seconds ago and you shiver, your dress around your hips and your cunt nearly exposed.
Dieter crawls forward, settling around between your knees. It’s like he can smell how wet you are. His big palm cups your inner thigh, thumb directing his attention.
“Do you still like to be licked here?”
You nod fervently, almost bashful.
“Has anyone eaten you out in a while?”
Again, your head jerks back and forth in the opposite direction, your hand clutching his knee and the other fisting the sheets.
“Can I?” His stare flickers from your barely visible pussy up to your eyes. He’s all but begging you.
His gaze reawakes your voice. “Yes, Dieter, please – p-please, I need it.”
His tongue wets his lips, eyes half-open, focused, as he pushes your dress up the rest of the way. You part your legs for him and he groans with appreciation.
“Jesus Christ, baby.” He shuffles back, easing onto his knees on the floor, big palms around the hinge of your legs. He tugs you as he goes, until your hips have settled on the edge of the mattress.
His mouth drops open at the shine on your inner thighs and as though too overwhelmed to go straight for the center, he licks as close to your cunt as he can, eager for your taste. His hands on your hips tighten as he groans, inhaling deeply.
“I’m gonna make you feel so fucking good.”
You have half a second to breathe yourself before he licks, flat-tongued, up your cunt and the edges of your vision grow dark.
He picks you apart, slowly, methodically, explorative. He licks like he’s trying to get an ice cream cone to come all over his face.
Dieter tongues one lip, then the other and he has your hips shaking. He digs in, suctioning his mouth to your cunt, and flicks his tongue as far as he can and you twitch. He slurps in spit and slick between his teeth before presenting it back to you on the head of his tongue.
“Oh, fucking god, Dieter –,” you press the heels of your palms into your eyes. “I can’t believe how good –,”
He licks as deep as he can, all the way up, air muffled by your folds, and flat-tongues your clit. Your vision whites out and you scream. But you didn’t come. That wasn’t you coming. Your legs are trembling and Dieter presses his forearm against your lower tummy, eyes scorching and scolding. Stop moving and let me work.
As you relearn him, he rediscovers you. He knows there’s a spot, just around your clit that when sucked, it makes you arch off the bed, but he searches in no hurry, divining every inch of you again. He gets close and you tremble, so he pushes your knee back, opening you up further to slide in two fingers. So much more than anything you could put inside yourself, you roll your hips as much as you can, chasing that touch as his tongue sweeps over you again and again. He taps up against your pelvic bone through your pussy and you moan, loudly, pleasure soaking his fingers, then his palm. His dark eyes watch you from where his mouth works to suck ten years of missed orgasms right out of you.
You want him to fuck you faster, to get you there in a way only he can, brushing places only he can find, only he dares reach. He licks you faster and faster, fingers plunging deeper and twisting, spreading you apart – he adds a third just before entering you again and again and again and then he finds it – that spot on your clit that breaks you apart, that warm gooey center exploding across his tongue.
You come in silence, sparks flickering at the edge of your vision, mouth open, pussy clenching down on him, and only when you feel the vibrations of his moan between your legs, do you remember to breathe, gasping sharply to the high-pitched edge of a whine.
“Dieter,” you pant, voice strained, knees weak as you push against his shoulders. Your clit stings a bit from overstimulation and he relents. He wipes his mouth on your inner thigh, inching up the bed, with your knee over his shoulder, still three fingers deep in you.
“C’mon, honey, you can give me one more like this. I know you can.”
You whimper, never having a single orgasm like that in the last ten years, let alone two. “I don’t – I don’t think I can –,”
“Of course you can.” The wet squelch of his fingers scissoring inside of you proves him right. “I’ve got you, darling, I’ve got you and I’m never letting you fucking go again.”
He licks under your knee, beard still damp with your release, and Dieter does what he does best: he talks.
He promises you filthy, beautiful things.
I wanna be soaked in you. I want you to come so hard, it drips down my arm, wets my chest.
I wanna put my tongue on every inch of your sweat-drenched skin. I wanna taste you. All of you. In you. I wanna make you so full, that when I fuck you, I taste myself.
I want . . . I want . . . I want . . .
“Oh, shit,” he murmurs, your cunt squeezing his fingers so hard they can’t move, and you gush, all the way to his elbow.
You can’t see for a second, the sound of your pounding heart in your ears the only proof you’re still alive. It’s like your body has been storing it all for him, never doing this for anyone else, so you keep coming and coming. Dieter groans, drops his head, and licks up as much as he can, but you feel your own slick slip down your ass and stain your dress. You whine as he slips his fingers out of you.
“Ohmy– oh – oh – oh fuck, Dieter,” you garble. Your entire lower half is numb. You don’t realize you’re shaking until he’s stretched out both of your legs, hand gently massaging your thighs. He licks his palm, his forearm, trying to clean himself up, but never once taking his eyes off you.
“Good, baby?”
You nod, blinking back the sparks of light whirling across your vision. “So good. So, so good.”
“I have a lot to make up for. Where’s the clasp to your dress?”
“In – In the back,” you swallow, hand flopping around to indicate some direction.
“I’m going to turn you around, okay, baby?”
He takes you by the hip, the shoulder, and curls you onto your side. His thumb pressed up against the cup of your skull, warm and grounding, he unzips your dress, the sound loud in the silence. Easing you as he goes, he rolls you until you’re face down on the mattress and he can peel the dress off your shoulders. Somewhere behind you, he makes a noise at the sight of your bare back.
“You’re so fucking gorgeous.” Heat drapes across your back as he leans down and kisses from the back of your neck, down your spine and lingers at the place just above the curve of your ass. He harshly palms your thighs, the meat of your butt, groaning, promising and marking places for his teeth. Your breathing hitches as you slide your dress off your arms. He meets your hands and helps you pull it down the rest of the way, over your knees and off the bed.
You should be cold, shivering, but you aren’t. Not when his hands start over your calves, gripping them soft enough that he can move unhindered, but tight enough it's almost a massage. He goes up the backs of your knees, curves around your thighs, fingers dip into the bones of your hip. The mattress dips as he lays out behind you, over you, fingers tugging you back until there’s enough space for him to slip his hand between you and the mattress, his knee prying your legs apart. He cups you, biting the curve of your ear, and you gasp for him. He plugs you up with two fingers, still so wet he meets no resistance and he growls in your neck.
“There’s this image of you that I swear to god is painted on the backs of my eyelids,” he murmurs, fucking you lazily with his fingers. You fist the sheets, arm shaking to keep yourself tilted enough to give him room. You can feel his hot, thick, solid cock against the back of your thigh, his own body heat enough to make you sweat. He touches a place that makes you gasp and his hips twitch forward. You want more, more heat, more of him, his white undershirt sticking to your back. You want to feel him. You push your hips back and he groans, dropping his head onto your shoulder. “I see it when I wake up and when I go to sleep at night and it used to fucking kill me because that was all I had left of you.” He speeds up, his wrist snapping against your pelvis. “But then – then, it – it gave me comfort, because I got to see you all the time. It wasn’t real and it wasn’t enough but god, it got me through the worst of it.”
You can feel your core tighten, pleasure spiral down and in on itself, a single spark away from exploding, as he goes faster and faster.
“I fucking need you–,” he whines in your ear, chest smothering your back, knuckle rubbing up against your clit.
“Dieter, take off your fucking shirt –,”
You lunge forward, out of his grasp, his fingers dragging wet slick over your hip as you roll away from him. His hands frantically yank his shirt up and over his head as you work the button on his pants, unzipping him in a rush. You’ve barely gotten his pants down over his knees when he grabs you by the elbow, yanking you into his mouth, his lap. Your shared moans coat the inside of your mouths, lips pressed swollen and hot, teeth nipping and pulling. Separating only to breathe, he hauls your knee over his hip, pulling you as close as he can, his cock red and leaking into your stomach.
You roll your hips forward, your soaked cunt clutching around his cock and he sways, breaking apart, to open mouth-groan.
“C-condom?”
“Don’t want one. There hasn’t been anyone but you.”
“Me neither.”
You snake a hand between your heated bodies and pump him once. Again and he whines. A third time and you push him back, flat against the mattress, his body thumping into the pillows. His thumbs press into the curve of your hips, up your waist, fingers slotting between your ribs.
But his eyes are latched onto your nipples.
“And these tits, baby,” he cups the weight of one while thumbing across the raised nipple of the other. You arch your spine, letting him do whatever he wants, while you pump him slowly, and swirl your clit with your other fingers. “Been obsessed with them. Fucking dream about them. Wanna spend a whole day with my mouth on them.”
“Well, I wanna spend a whole day on this cock. Dieter, fuck, your cock is fantastic.” It’s thick and long and you lick a mix of precum and spit into your hand to coat all of him.
“Yeah, you missed my big cock?” Hips bucking inches off the mattress, his eyes fall half-shut, almost black with hunger. “Show me, baby, show me how much you missed me. Fuck yourself on my cock.”
Despite his filthy mouth, his breathing hitches when you go onto your knees, hand holding him beneath you as you adjust to find your entrance. He breaths so sharply, you glance at him, the head of his cock just inches from your cunt. His chest is flushed and sweaty. The roundness of his stomach trembles, the hair there pressed flat and wet. The hair at his temples and across his hairline is damp, beautiful curls tossed back from his face. Eyes warm, his lips are wet with anticipation.
“I missed you, Nat,” he says quietly, suddenly. His fingers squeeze your thighs and his words catch as you notch just the head inside you, the fat head splitting you apart. “I m-m-missed you so-oh much.”
Wanting nothing but to feel every inch, you take your hand away and find his forearm to steady yourself. The deeper you take him, the higher your whine goes.
“Fuck, Natalie, fuck –,” his eyes are squeezed shut, jaw tight, as you gasp towards the ceiling, eyes rolling back in your head. “Fuck, you feel – you are –,”
“Dieter –,”
Your hips drop, his twitching below you, and you take in every ridge, every throbbing vein. You don’t mean to tease, but he’s so big and it’s been so long since you’d taken him, you have to sink as slow as possible. His grip almost bruising, he wants nothing more than to yank you down on his cock, but he holds, waits, lets you adjust, even though his chest is red and he hasn’t taken a full breath in a minute.
You inhale as you finally take all of him inside you, flush to his hips, his lap already wet, that low simmering heat swirling out from every place his cock rubs up inside of you.
“Natalie–,” he chokes.
It’s been too long.
You thrust forward, riding him hard and setting a pace that startles even you. A loud groan roars through him and his hands around your hips yank you back and forth with just as much force, as much want. Arousal climbs higher and higher, your shared pants and moans a catalyst for fire.
“Natalie,” he tries and you open your eyes. His face is flushed now too, eyes wet. “Natalie, I can’t stop thinking – the last time we were like this – I did – I said –,”
He whimpers as you slow and lean over him. You cup his cheeks with both hands, thumb tugging down his bottom lip. You kiss him, mouth slotting over his. “Don’t think about that, baby. Stay here with me. Be with me.”
He nods frantically, gasping as you jerk your hips just right, and you nuzzle his nose before building back your speed, that heart-stopping pace. He intertwines his fingers with yours, offering himself to hold onto as you both race towards release, his hips rhythmically bouncing against yours.
But you can’t help it either. Flashing across your memory like fireworks, you’re overwhelmed with images of you and him either in this exact position or a dozen others. On top of a desk, in a car, against a wall, behind, under, in front – every way he would make you take him again and again. You dip forward, just a bit, remembering that angle that made his knees quake – and apparently still does.
“Oh, fuck, baby –,”
Bits and pieces of old fantasies slide in between the gaps in your memory – the time you tried to picture his face when you sat on your new vibrator you gifted yourself on your twenty-sixth birthday – the time you finger-fucked yourself in the bathtub, hopelessly trying to find that spongy spot he used to stroke – it was not agonizingly enough.
It was nothing like him begging you to never, ever leave. You ride him hard and fast because tomorrow isn’t promised and it might never come.
His thumb on your bottom lip and his voice pry your eyes open. Your thighs quake from the strain, ratcheting that thunderous pleasure up every knot of your spine. You’re sweating so much you think you might melt off his cock.
The bed squeaks, as you grind yourself against him, his hand still on your face.
“I fucking love you.” He breathes through, open-mouthed, a spike of pleasure, his hair plastered against his forehead. You think you might come from the look of pure adoration in his eyes alone, but you white-knuckle your approaching orgasm, just as you know he is. “You’re made for me. This cunt is made for me.”
Every inch of you is fire hot. You gaze down at him and take your thumb between your teeth, nipping gently, your hands balanced against his stomach.
“I am yours, Dieter. I’ve never wanted anything else. Never.”
He swallows, eyes impossibly dark and deep, staring up at you like you hang the moon and stars, like you are solely responsible for the air in his lungs and the blood in his veins.
Dieter jerks up to kiss you, his hand cupping the back of your head, nails lightly scratching into your hair. The force of him stills your hips and you kiss him back, arms around his neck, but does nothing to quench that roaring blaze in your cunt.
His arm drops from your head, goes around your back, the other catching your hips against his and he flips you both, nestling you against the covers. He pins your arms above your head and thrusts into you, setting a pace that has your eyes rolling back your head. You whimper.
“You are the only thing I’ve ever loved,” he grunts into your neck, his voice low as it kisses your skin. His pace is punishing, chasing whatever haunted him at night those years he was apart from you. You pin your knees to his ribs, welcoming him deeper and deeper. “I want to be yours. I want to be yours until the day I fucking die.”
“You are, Dieter, you are.”
The sound that comes from his chest, echoing in your ear, and seeps into your bones finally pushes you over the edge. White-hot lightning strikes you between your legs, a warm, milky wave rocking you flat on your back as your cunt clenches down on him. He shouts, loudly, his back tense as he spills inside of you a second later. You can feel him soak the inside of you, his cock twitching under the pressure of your still-tight cunt.
His hips pump once, twice more, his body eager to empty him out entirely, and then he stills.
The sound of your shared heavy breathing, between the sweaty, throbbing mass of your bodies, is the only sound in the bedroom, stretching on for minutes at a time.
You have never felt so close to a person as you do right now. You can feel his heart pounding against his chest as it sits above yours. Your skin, damp with sweat, clings to his. This is where you want to be, for the rest of your life.
Slowly, as fast as his shaking arms will allow, Dieter lifts up to look you in the eyes, breath still heavy in his lungs. He’s red, pushed to the limit of exertion and then beyond that. His hair is a damp mess and his skin is so warm it almost burns.
But he’s smiling.
As your breathing returns to normal, even if it might take hours to wash yourselves clean, he smiles at you and you smile back because all it took was time.
Time, some therapy, and some space apart to find out what truly matters. What only matters. If nothing we do matters, this is the only thing that does.
You don’t have to speak because he knows what you’re thinking. Grinning through a half-chuckle, he kisses your forehead, your nose, and your lips. With a sigh, you wrap your arms around him as he gingerly tucks his head under your chin, and rests his cheek against your chest. You play with his hair.
The night stretches on, the snow falls harder outside. Eventually, you end up under the covers, Dieter Bravo is in love with you and you love him back.
He taps his fingers against your hip, absent-mindedly, to a beat you don’t recognize. And then his chest vibrates over yours, the sound sinking into yours, as he hums the chorus to Here You Come Again.
When you wake up, hours later, sleep overtaking you at some point during the night, you open your eyes to gold sunlight streaming in through the curtains and his back to you. His arm tucked under his head, curls askew on the pillow, and you feel him breath against the mattress.
Hesitantly, slowly, you reach forward, hand trembling, across the small space between your bodies –
And you touch his shoulder. He’s solid. He’s real. He’s here.
He shudders awake, groaning sleepily, as he turns over, his brown eyes greeting yours with all the joy of the sun.
He touches your cheek and you smile.
Epilogue
The wooden tracks of the rollercoaster vibrate violently as the cars lurch over the railings and down the slope. Screams of delight are lost beneath the gentle melody of the merry-go-round, its lights bright against the late evening sky. People wander between the tents and the booths, stopping to play a round of hunt-the-duck or to throw a ball at empty milk bottles. The smell of popcorn and candy hangs thick in the warm summer air.
Dieter adjusts the giant stuffed bear on his back, eyes surveying their next target on the Coney Island pier.
“Ice cream me, babe.”
Your arm juts out and smears vanilla-chocolate swirl across his mouth and he sputters.
Your eyes jump up from your phone, embarrassed to have been so distracted, and you immediately go to wipe his lips, his own hands busy keeping the bear up right.
“Sorry, sorry!”
He grins as you blot his mouth and chin. His tongue swipes out and licks your palm.
“It’s okay, only if you use your mouth next time.”
You roll your eyes as you toss away the used napkins. This time you hold the cone properly so he can lick his fill.
“What’s so important on your phone that you nearly drown me in ice cream?”
A summer breeze, hot off the waves of the ocean, strokes your hair, tugging it over your eyes. You push it back, frowning.
“Netflix emailed us, wanting to know if we wanted to be a part of the documentary about the making of Recovery Road.”
“And you think that’s a bad idea?” He asks, catching an errant dribble before it smears across your fingers.
“I don’t know. It just feels like dredging up things that are better left in the past.”
“Netflix’s specialty.”
You frown at him and he grins. “No one’s ever officially gone on record about what happened and now maybe we should. Set the record straight.”
“I don’t think we’ll come out of it looking very good,” you worry your lip. “Besides, if we’re being interviewed, shouldn’t Chloe get a chance to tell her side too?”
Dieter shrugs. “She can if she wants. But the story is ultimately about you and me. Besides, they just want the juicy gossip about all of our wild and crazy infidelity sex.”
“Dieter!”
With a chuckle, he drops the bear between the two of you, so he can look you properly in the eyes without a paw over his face.
“Baby, I’ll do whatever you want to do. If you want to do it, great. If not, fuck ‘em. I don’t care how it makes us seem, because no matter what, they’ll never know the true story.” He takes your hand that is not holding an ice cream cone, sticky fingers and all, and kisses your knuckles. “You and I are so beyond Netflix documentaries, or tell-all exposés – or whatever constitutes a love story in Hollywood. What I feel for you, no one could ever do it justice.”
He sees your chest stutter for breath, your eyes soft as he kisses your palm.
“They’d never understand the man you’ve become,” you say quietly. “What it took to get here.”
He nods, hand sliding to your cheek, your neck, and pulls you in. “This is it for me.”
“Me too.”
The jingle of the carnival around you, the roar of the rollercoaster in the distance, fills the silence as your lips move against his, hand curled up against his collar.
“Okay, new question,” he breaks apart before he loses all of his senses and pulls you into a bathroom stall.
You chuckle against his lips. “Yeah?”
“What would you think about getting a dog?”
“A dog?” You blink up at him.
“Yeah. Doesn’t have to be very big – there’s no room in our brownstone for the three of us anyway.”
You frown playfully, contemplative, as you loop your arm through his, the bear stretched across both your backs, as you instinctively wander towards the water.
“I’ve always liked pitbulls. Found them to be really misunderstood.”
He nods. “I like that. Kind of flies in the face of the ‘small dog’ idea but I like it.”
“When have we ever not bucked tradition?”
“You’re exactly right, my beautiful girl.” He kisses your cheek as you list off other potential breeds.
Honestly, he doesn’t care. Whatever dog breed you want is fine with him.
As long as it has a collar and a name tag, somewhere he can hang a ring.
T H E E N D
#dieter bravo#dieter bravo x f!reader#dieter bravo x reader#dieter bravo x you#dieter bravo fanfiction#pedro pascal fanfiction#pedro pascal characters#the bubble fanfic#the bubble 2016#the bubble fic#the bubble fanfiction#dieter bravo/f!reader#dieter bravo/you#dieter bravo/reader
44 notes
·
View notes
Text
Cigarettes were one of the first products that allowed the commercial realm to align itself—in market potential, if not political commitment—to emerging women's movements. In the late nineteenth and early twentieth centuries, smoking was considered such an unseemly activity for women that they were often explicitly prohibited from doing so in public. So it made sense that the American Tobacco Company saw capturing this emerging market as akin to "opening a gold mine right in our front yard." ATC deftly exploited the first wave of feminism when it hired Edward Bernays (now considered the "father of public relations") to craft campaigns that would get more women smoking, and buying, cigarettes. Bernays initially appealed to women's vanity by proposing cigarettes as slimming aids—“Reach for a Lucky instead of a sweet,” urged print advertisements—but his hunch was that appealing to their growing sense of autonomy might be the real mover of product. In 1929, Bernays and ATC orchestrated a walk for equality down New York's Fifth Avenue, hiring female participants to hold aloft Lucky Strikes as "torches of freedom," while encouraging bystanders to "Fight another sex taboo!" by joining them in inhaling the heady smoke of gender equality. In an early example of contrived media virility, the photos of the march caused a national sensation and, as expected, nudged the percentage of female cigarette buyers up by more than half, from 5 percent in 1923 to 12 percent post-march. Lucky Strike rivals quickly followed suit, with Philip Morris even organizing a U.S. lecture tour in which cigarette experts instructed women on the finer points of lighting up.
-Andi Zeisler, We Were Feminists Once
29 notes
·
View notes
Text
Sell Rolex Watches in New York City | Buyers of NYC
Looking to sell your Rolex watches in New York City? Buyers of NYC offers top-dollar rates for your luxury timepieces. We make the process easy, with expert evaluations and quick, secure transactions. Whether your Rolex is brand new or pre-owned, we guarantee the best price in the market. Visit Buyers of NYC today and get cash for your Rolex watches in New York City.
Visit- https://buyersofnyc.com/sell-rolex/
0 notes
Photo
The Eid Mar Coin, aka the Ides of March Coin
This is one of the rarest Roman coins, issued between 43 and 42 BCE by Brutus to celebrate the assassination of Julius Caesar. It was minted in both silver and gold, and only three of the gold ones survive. The coins were struck by a military mint which traveled with Brutus (he was somewhere in northern greece at the time, fighting in the Liberators’ civil war), possibly to pay his army.
Obverse: A bust of Brutus, “BRVT IMP” (for “Brutus, Imperator”, referring not to emperor but to commander), and “L PLAET CEST” (for “Lucius Plaetorius Cestianus,” a treasurer who minted the coin for Brutus)
Reverse: A pileus cap (Roman symbol of freedom, often worn by recently freed slaves) flanked by two daggers (the Roman pugio), and “EID MAR” (for the Ides of March)
In 2020, one of the three gold coins was sold at a London auction to a US-based buyer for a record £3,240,000. It had suddenly appeared on the international art market in 2016, it was offered for sale in Munich with no provenance, and from there it went to London. Turns out it got smuggled to London: the coin had apparently been looted from a field near where Brutus’ army was encamped. In 2023, the American authorities seized it and returned it to greece, and the London dealer was arrested on charges of grand larceny. He has admitted to smuggling, possibly as part of a plea deal.
[sources: wikipedia, CNN Oct 2020, The New York Times Feb 2023]
30 notes
·
View notes
Text
Exercise caution! California is unveiling a novel strategy for wealth distribution, prompting concern about its potential replication in other states.
Despite being the most heavily taxed state in the United States, California finds itself grappling with a staggering $68 billion budgetary deficit. Contrary to the metaphorical richness associated with the Gold Rush era, California's fiscal situation resembles Fool's Gold.
Even Gov. Gavin Newsome couldn’t admit in his recent debate against Florida Gov. Ron DeSantis that the net migration out of California is reaching epic proportions more often than not over one word… TAXES.
The city of Los Angeles and the legislators responsible for California's financial quagmire have devised a fresh tactic within the confines of the conventional playbook. Their query: How can the affluent be subjected to further taxation? How do we squeeze more out of the top 1%? How do we penalize those that are building wealth and want to buy a more upscale home?
NEW YORK, CALIFORNIA LOST MORE TAX INCOME THAN EVERY OTHER STATE AS PEOPLE FLED LIBERAL ENCLAVES
Considering that a high-income earner in California already endures a 37% federal tax, 13.3% state tax, and additional burdens like Social Security and Medicare, such individuals essentially toil for the state and federal government for seven to eight months annually.
Enter Los Angeles' latest stratagem, instated on April 1, 2023 – the "mansion tax." This levy imposes an additional 4% tax on homes exceeding $5 million and a 5.5% tax on those surpassing $10 million paid for by the buyer.
To illustrate, a $10 million property sale would incur customary 6% selling fees to a real estate agent. However, the purchaser must contend with the mansion tax, necessitating an additional $550,000 in addition to the sale price of the home. This not only intensifies the tax burden on the affluent but also has the potential to depress property values, making acquisitions financially elusive.
This double whammy affects not only those capable of affording such opulent residences but could reverberate across states, given the trend of rules being adopted at the $1 million threshold in various regions. With the median price of homes at roughly $400,000 across America, how soon will it be before every buyer pays a redistribution… err… a mansion tax?
EX-CALIFORNIA FAMILIES SAY MOVE TO RED STATES WAS CAUSED BY LEFTIST POLICIES AND TAXES: ‘TIME FOR US TO LEAVE’
What should make you worried is that California isn't alone in this trend, as several states have embraced similar measures to extract more revenue from property owners. Presently, six other states impose a mansion tax:
Connecticut: 2.25% on properties surpassing $2.5 million.
District of Columbia: 1.45% on properties sold for $400,000 or more.
Hawaii: Marginal rates ranging from 10% to 20% for estates valued over $5.49 million.
New Jersey: 1% on real estate transactions exceeding $1 million.
New York: 1% to 3.9% on residential acquisitions of $1 million or more.
Vermont: 16% on properties valued over $5 million.
Washington: Graduated rates starting at 1.28% for properties sold at a minimum of $500,000.
The real question will be whether blue states across the country see this as the next pathway to redistributing wealth from those who own higher than average dollar real estate.
As you strive and accumulate resources to potentially secure your dream home and your financial future, be on alert, particularly in states adhering to a blue political ideology as they may unveil yet another method akin to a Las Vegas casino.
It’s designed to do one thing and one thing only. Separate you from your hard-earned money. If your state hasn't embraced the mansion tax to date, exercise vigilance, as it may loom on the horizon.
4 notes
·
View notes
Video
youtube
Gold Investment - How To Go About It?
Gold continues to be the best form of investment for a lot of years now and individuals like to invest in this past metal since the profits are by and large high and decorations can be made from it, even individuals wish to obtain gold as an indication of distinction. An investment in gold empowers the investor to meet the visit site here expansion no doubt and any future money requirement can be easily met out of the current investment in Gold.
Markets for Gold: The beautiful metal of gold is being traded in a few markets all around the globe and the New York and London markets should be the biggest markets. Markets for gold are working like stock exchange markets in all parts of procurement and assurance of cost despite the fact that the reality stays that the expense of gold is affected by a few variables.
Is Investment in Gold a smart thought? Indeed Gold investment is generally a superior choice since, the buyer can't question whether the return will be higher when contrasted with the investment. This is because of the way that the expense of gold is ever on the increase or more this form of investment can be easily changed over into cash as and when required. What's more, gold can likewise be easily conveyed for selling and the investor need not stress over the security of the investment since these days investment can be made in gold authentications as opposed to actual gold.
Also, it partakes in a few benefits when contrasted with investment in different metals like platinum since they won't be quickly changed over into cash. With regards to silver investment, the investor can't be guaranteed of the monetary profit. Despite the fact that, gold investment can achieve a few advantages, investor ought to be cautious since not at all like financial exchanges, he doesn't have the choice of investing in modest quantity. To assist these individuals, there are websites uniquely implied for directing investors about various forms of investment in gold, similar to bread rolls, authentications, and so on... All that will be finished by the investor is to enroll with these websites for getting their free aide and the tips are presented by master counselors, who have the best information about investment in this yellow metal.
These websites offer tips taking into consideration the latest thing of the gold market and investors can likewise get to be aware of the various types of investment in gold from these websites. Thus, individuals who are keen on investing in this yellow metal can get the assistance of these websites.
11 notes
·
View notes
Text
Muse Blurbs
Savannah was up bright and early, in her office, doing the mundane things. Checking bills, writing checks, doing the math, and making sure everything else that was illegal was going smoothly. Glancing at the clock, she read the time. 8:30. She sighed softly to herself and carried on with the day, lifting her cup and taking a small sip of the still-too-hot coffee.
“Ms. Garza. You’re 9 is here.” Her phone speaker announced and she looked at the clock. 8:59.
“Let them in.” She responded, putting the pen down and crossing her legs as she relaxed into her chair. Keeping an eye on the clock, she smirked a little, watching the big hand shift the time to exactly nine and then heard the click of her office door opening and her assistant letting in four large men.
“Good morning gentlemen. Have a seat.” She purred, picking a small strand of hair off her cream colored skirt. Of course the rival mob boss sat down across from her, and she smiled sweetly at him but her senses kicked in.
Slight breeze on her right cheek. Temperature about 72 degrees. Four men, two armed, one guarding the door and the fat man himself surely to have the gun as well.
“What can I do for you today Gabriel?” She hummed, twisting her chair back and forth a little at a slow pace, and letting her left hand rest on the cool glass of her desk.
“You can start by getting your poor excuse for soldiers out of my city.” The thick New York accent wasn’t lost on her but she just smiled.
“I’m afraid I can’t do that Gabriel. I have ports to run. Important and quality packages to sell.” She retorted, watching at the man just chuckled, like he had the upper hand here because she was a woman and had no guard in the immediate area. But he would be wrong.
Two snipers on the building behind her, ready for her to give the signal if needed. But she wouldn’t need them.
“That’s where your wrong Garza.” Arrogance dripped off his voice when he said her last name and it made her skin crawl. But instead she just took a deep breath, losing her patience already.
“I have more loyal customers than you. And paying ones.” He said as if it were a fact but what he didn't know was that Savannah was quickly changing that.
“Break a few bones, kill a few family members and loyalty quickly changes hands Gabriel. You should know that.” She said quietly, her smile gone and her dark brown eyes turning cold and soulless. And, of course, the polite air had turned into bristled and charged air between them. The kind of feeling one gets when waiting to see who would swing first.
When he stiffened, so did the body guards, and she caught a glimpse of which arm twitched as they moved to rest their hands on their guns, only halting when the fat man himself raised a hand to halt their actions. He was a smart man, perhaps he could sense that Savannah had more up her sleeve than she was letting on. In which case, he would be right.
Pursing her full lips in faux contemplation, she shifted forward in her chair, picking up her coffee and taking a sip, letting the silence get thicker and thicker with each passing second. After a moment, she set down the mug, purposely slowing down her actions to inflate their anxiousness and uncertainty as she held her gaze with the rival mob boss. A silent battle of dominance and playing chicken all in one.
“So…" She broke the silence finally. "Are you going to kill me?” The young mob queen asked, looking down at her desk and doing the little thing of straightening the pen, shuffling papers into a neat pile and making sure her desk light was in just the right spot, two inches to the left of where it was previously.
“If you don’t agree to pack up your shit, get the fuck outta my city and leave my buyers alone, then yes. My boys here will fill your perfect tight little body with bullets and toss you off the bridge.”
Looking at the men, she smiled a little before opening her top desk drawer and pulling out the solid gold gun that was crafted specially for her. Setting it on the desk slowly, the guards drew their guns and she noted which hand was holding them.
“Think you can?” She asked with a cocky smile.
And that was all it took. The tension in the air finally charged and cracked with her words as everyone sprung into action. Guns were raised, cocked and fingers pulling the triggers. But Savannah was milliseconds ahead of them already. She grabbed her gun, pulled the trigger three times as her arm moved from right to left. Two for the armed guards and one for the fat man in front of her. The silence settled in once more, bodies crumpled on her carpet and in her expensive leather chair. The one man left guarding her office door, wore a surprised and shocked look on his face when he finally registered that the other men had dropped like sacks of potatoes on her nice carpet in pools of their own blood. But she wasn't done. Pointing the gun at the last one standing, she watched as he gulped and mentally prepared himself to be next. However, she fired the remaining twelve bullets into the wall by his head and at his feet. When it clicked empty, she then waved him over, and he obliged, shaking visibly as he did so.
“You’re the last one standing. That makes you the messenger. Tell Gabriel’s second in command to come visit me. Tell him that we matters of mutual self interest to discuss.” She said sweetly, as she set the gun down on her desk, waving to dismiss him before she lifted her cup of coffee to take another small sip, the opposite hand moving to her office phone and pressing the preset button for her building's janitor room. "Javie, make sure to call the Garbage Man on your way up. I'll have three bags of trash waiting for him."
1 note
·
View note
Text
Top reasons for the rising popularity of ItsHot Religious Jewelry
Religious jewelry has long held a special place in the hearts of believers, serving as a meaningful symbol of faith and devotion. In recent years, the popularity of religious jewelry available at a few jewelry outlets has been growing. In this article, we will explore the top reasons for their rising popularity.
People of all religions will find something
Be it Christians or Jews, everyone will find something that will help them show their religious identity. Star of David pendants are a personal expression of the Jewish identity and a connection to their heritage. The Star of David pendants at this outlet in New York is popular among the Jews. At the same time, Christians like to buy the Jesus Pendants that depict the different profiles of Jesus Christ. Apart from this, Cross Pendants and Chai pendants are also available. Hamsa Hand pendants, popular among people of African and Middle Eastern cultures as well as Islam, are also available here. These pendants can be paired with ItsHot Rope Chains, creating a unique religious charm for the wearers.
Available in all materials
ItsHot NYC is popular among religion enthusiasts because they are available in all materials. One will find the Star of David Pendants in white gold, yellow gold and rose gold. Black-plated gold Star of David pendants is another unique offering of this jewelry outlet. For those who cannot afford gold, there are pendants made of sterling silver. Chai pendants are available in three hues of gold.
Studded with diamonds
All the ItsHot Jewelry are studded with real diamonds, which makes them enticing. The buyer will get a certificate that will prove the authenticity of the diamonds and other gemstones.
A wide range of jewelry items
Rosary necklaces occupy a special place in the Christian tradition. They help a person concentrate while praying. ItsHot rosary necklaces are available in black silver, sterling silver as well as gold. The choice of diamonds is completely upon the customer. Since 10K gold is used in them, it can promise durability to the wearer. Many don’t believe in lucky charms. But those who do prefer to buy them choose evil eye jewelry. Evil eye earrings are available for people who want to bring good luck. They are available in 14K gold in white, yellow, and rose hues.
Customizability of the religious jewelry
The outlet will customize the religious jewelry according to the aesthetic of the wearer. If the customer likes hip-hop, they can get paired with the oversized pendant. The thickness and length of ItsHot necklaces can be customized according to the requirements of the customer. Don't miss out on fantastic offers! Get the exclusive ItsHot discount code and enjoy remarkable savings on their exquisite jewelry collection.
#ItsHot Discount Code#ItsHot contact#ItsHot customer service#ItsHot coupon code#ItsHot coupon#ItsHot faq#ItsHot fine jewelry#ItsHot future jewelry#ItsHot famous jewelry
6 notes
·
View notes